Artwork

Content provided by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

March Madness 2024: College Basketball at a Crossroads

15:28
 
Share
 

Manage episode 407740597 series 94072
Content provided by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

As this year’s annual March Madness tournament kicks off, there’s a sense of malaise around men’s college basketball. The advent of the transfer portal is partly to blame, and the trend of top talents departing for the N.B.A. after just one year of college play. “There hasn’t been that kind of charismatic superstar like Zion Williamson at Duke,” Louisa Thomas tells David Remnick, “the big school and the big player, which is the perfect match.” But women’s college basketball is another story. Last year, superstars like Angel Reese and Caitlin Clark helped the sport reach its highest ratings ever for a final. Clark, in particular, with a penchant for nearly forty-foot throws that almost defies belief, has become such a source of fascination for fans that Remnick compares her to LeBron James. “The question is whether or not she can carry that attention with her” into the W.N.B.A. and to the league’s benefit, Thomas wonders, and if “she can leave some of that attention behind. To what extent is this a unique phenomenon around a unique player?”

  continue reading

826 episodes

Artwork
iconShare
 
Manage episode 407740597 series 94072
Content provided by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by WNYC Studios and The New Yorker, WNYC Studios, and The New Yorker or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

As this year’s annual March Madness tournament kicks off, there’s a sense of malaise around men’s college basketball. The advent of the transfer portal is partly to blame, and the trend of top talents departing for the N.B.A. after just one year of college play. “There hasn’t been that kind of charismatic superstar like Zion Williamson at Duke,” Louisa Thomas tells David Remnick, “the big school and the big player, which is the perfect match.” But women’s college basketball is another story. Last year, superstars like Angel Reese and Caitlin Clark helped the sport reach its highest ratings ever for a final. Clark, in particular, with a penchant for nearly forty-foot throws that almost defies belief, has become such a source of fascination for fans that Remnick compares her to LeBron James. “The question is whether or not she can carry that attention with her” into the W.N.B.A. and to the league’s benefit, Thomas wonders, and if “she can leave some of that attention behind. To what extent is this a unique phenomenon around a unique player?”

  continue reading

826 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide