In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Jurassic World
Manage episode 308928499 series 3023584
Content provided by David Negrin. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Negrin or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"Monster is a relative term. To a canary, a cat is a monster. We're just used to being the cat. RUUUN!” This week on a T-Rex sized episode of The Script, our screenwriters analyze Jurassic World-- the reboot / remake / sequel to the original Jeff Goldblum chaos theory and open shirt vehicle: Jurassic Park (1993). Does Jurassic World pay enough homage to PARK in terms of, not just easter eggs, but dramatic themes? What's the key to escalating set pieces and renewing awe in a monster movie? (HINT: mo' dino-antagonists, mo' problems) How does Jurassic World stack up in the comedy department next to the new generation of Action/Comedy tentpoles like Guardians & Avengers? Do you remember the Steven Spielberg "Rule of Monster Reveal"? JW did. And four white males respond to the Bryce Dallas Howard high-heel controversy. WHEN DINOSAURS RULED THE WORLD!
LISTEN to THE SCRIPT Podcast: “Jurassic World" here on iTUNES
- Please POST A REVIEW or a STAR RATING on iTunes.
- Need a Blake Snyder Beat Sheet Explanation?
- Follow us on Twitter here @ScriptFeed
- Fan mail, complaints, questions, wedding proposals can be sent to ScriptFeed@gmail.com
SCEENWRITERS David Negrin, Jordan Rosengarten, Spencer Sapienza, Logan Kane
PRODUCERS, The Script Jordan Rosengarten, David Negrin NYC Screenwriters Collective www.ScreenwritersCollective.org
62 episodes
Share
Manage episode 308928499 series 3023584
Content provided by David Negrin. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by David Negrin or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"Monster is a relative term. To a canary, a cat is a monster. We're just used to being the cat. RUUUN!” This week on a T-Rex sized episode of The Script, our screenwriters analyze Jurassic World-- the reboot / remake / sequel to the original Jeff Goldblum chaos theory and open shirt vehicle: Jurassic Park (1993). Does Jurassic World pay enough homage to PARK in terms of, not just easter eggs, but dramatic themes? What's the key to escalating set pieces and renewing awe in a monster movie? (HINT: mo' dino-antagonists, mo' problems) How does Jurassic World stack up in the comedy department next to the new generation of Action/Comedy tentpoles like Guardians & Avengers? Do you remember the Steven Spielberg "Rule of Monster Reveal"? JW did. And four white males respond to the Bryce Dallas Howard high-heel controversy. WHEN DINOSAURS RULED THE WORLD!
LISTEN to THE SCRIPT Podcast: “Jurassic World" here on iTUNES
- Please POST A REVIEW or a STAR RATING on iTunes.
- Need a Blake Snyder Beat Sheet Explanation?
- Follow us on Twitter here @ScriptFeed
- Fan mail, complaints, questions, wedding proposals can be sent to ScriptFeed@gmail.com
SCEENWRITERS David Negrin, Jordan Rosengarten, Spencer Sapienza, Logan Kane
PRODUCERS, The Script Jordan Rosengarten, David Negrin NYC Screenwriters Collective www.ScreenwritersCollective.org
62 episodes
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Similar to The Script Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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