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Percival Everett on James, his subversive reimagining of Huckleberry Finn

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Content provided by Shakespeare and Company. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Shakespeare and Company or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

James—the new novel by Percival Everett—retells, reframes, and reimagines Mark Twain’s The Adventures of Huckleberry Finn from the perspective of Jim, the black man whose flight from slavery quickly entangles with the journey of Huck, on the run after faking his own death to escape his violent father. James gives us the events of Twain’s picaresque from a vital new standpoint—opening up previously unexplored plains of character consciousness as it does so—expanding and subverting the original story. And the novel doesn’t just fill in the blanks about Jim’s movements when our protagonists are separated, but also wrests the narrative arc itself in new and astonishing directions.


Buy James here: https://www.shakespeareandcompany.com/books/james-4


*


The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond. As James and Huck begin to navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise.


With rumours of a brewing war, James must face the burden he carries: the family he is desperate to protect and the constant lie he must live. And together, the unlikely pair must face the most dangerous odyssey of them all . . .


From the shadows of Huck Finn’s mischievous spirit, Jim emerges to reclaim his voice, defying the conventions that have consigned him to the margins.


*


Percival Everett is the author of over thirty books, including So Much Blue, Telephone, Dr No and The Trees, which was shortlisted for the 2022 Booker Prize and won the 2022 Bollinger Everyman Wodehouse Prize. He has received the Hurston/Wright Legacy Award and the PEN Center USA Award for Fiction, has been a Pulitzer Prize finalist, and is Distinguished Professor of English at the University of Southern California. His novel Erasure has now been adapted into the major film American Fiction. He lives in Los Angeles.


Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england


Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

Get bonus content on Patreon

Hosted on Acast. See acast.com/privacy for more information.

  continue reading

222 episodes

Artwork
iconShare
 
Manage episode 411827576 series 112715
Content provided by Shakespeare and Company. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Shakespeare and Company or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

James—the new novel by Percival Everett—retells, reframes, and reimagines Mark Twain’s The Adventures of Huckleberry Finn from the perspective of Jim, the black man whose flight from slavery quickly entangles with the journey of Huck, on the run after faking his own death to escape his violent father. James gives us the events of Twain’s picaresque from a vital new standpoint—opening up previously unexplored plains of character consciousness as it does so—expanding and subverting the original story. And the novel doesn’t just fill in the blanks about Jim’s movements when our protagonists are separated, but also wrests the narrative arc itself in new and astonishing directions.


Buy James here: https://www.shakespeareandcompany.com/books/james-4


*


The Mississippi River, 1861. When the enslaved Jim overhears that he is about to be sold to a new owner in New Orleans and separated from his wife and daughter forever, he decides to hide on nearby Jackson’s Island until he can formulate a plan. Meanwhile, Huck Finn has faked his own death to escape his violent father who recently returned to town. Thus begins a dangerous and transcendent journey by raft along the Mississippi River, towards the elusive promise of the free states and beyond. As James and Huck begin to navigate the treacherous waters, each bend in the river holds the promise of both salvation and demise.


With rumours of a brewing war, James must face the burden he carries: the family he is desperate to protect and the constant lie he must live. And together, the unlikely pair must face the most dangerous odyssey of them all . . .


From the shadows of Huck Finn’s mischievous spirit, Jim emerges to reclaim his voice, defying the conventions that have consigned him to the margins.


*


Percival Everett is the author of over thirty books, including So Much Blue, Telephone, Dr No and The Trees, which was shortlisted for the 2022 Booker Prize and won the 2022 Bollinger Everyman Wodehouse Prize. He has received the Hurston/Wright Legacy Award and the PEN Center USA Award for Fiction, has been a Pulitzer Prize finalist, and is Distinguished Professor of English at the University of Southern California. His novel Erasure has now been adapted into the major film American Fiction. He lives in Los Angeles.


Adam Biles is Literary Director at Shakespeare and Company. His latest novel, Beasts of England, a sequel of sorts to Animal Farm, is available now. Buy a signed copy here: https://www.shakespeareandcompany.com/books/beasts-of-england


Listen to Alex Freiman’s latest EP, In The Beginning: https://open.spotify.com/album/5iZYPMCUnG7xiCtsFCBlVa?si=h5x3FK1URq6SwH9Kb_SO3w

Get bonus content on Patreon

Hosted on Acast. See acast.com/privacy for more information.

  continue reading

222 episodes

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