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ShortCuts Live! Talking with Sarah Cipes about Feminist Audio Editing

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Content provided by SpokenWeb. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by SpokenWeb or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This month, it is ShortCuts Live! We’ll still take a deep dive into the SpokenWeb archives through a short ‘cut’ of audio, but, in these ShortCuts Live! episodes, ShortCuts host and producer Katherine McLeod takes ShortCuts out of the archives and into the world. This month’s episode was recorded on-site at the SpokenWeb Symposium and Sound Institute in May 2022 at Concordia University in Montreal. It is a conversation with UBCO doctoral candidate Sarah Cipes.

At the time of recording this conversation, Sarah had just presented a paper called “Finding Due Balance: Sound Editing as a Feminist Practice in Literary Archives.” In fact, this paper was already in conversation – that is, part of a collaborative article in development with Dr. Deanna Fong and Dr. Karis Shearer who have developed feminist listening methodologies in their introduction to Wanting Everything: The Collected Works of Gladys Hindmarch and to their article, “Gender, Affective Labour, and Community-Building Through Literary Audio Recordings.” Listen to ShortCuts Live! to hear Sarah talk with Katherine about feminist redaction when working with sensitive materials in audio archives, and where this collaborative research will take her next.

EPISODE NOTES

A fresh take on sounds from the past, ShortCuts is a monthly feature on The SpokenWeb Podcast feed and an extension of the ShortCuts blog posts on SPOKENWEBLOG. Stay tuned for monthly episodes of ShortCuts on alternate fortnights (that’s every second week) following the monthly SpokenWeb podcast episode. If you are a SpokenWeb RA with an archival clip to feature on ShortCuts, do write to us at spokenwebpodcast@gmail.com with your pitch.

Host and Series Producer: Katherine McLeod

Supervising Producer: Kate Moffatt

Audio Engineer / Sound Designer: Miranda Eastwood

Production Manager and Transcriber: Kelly Cubbon

ARCHIVAL AUDIO

Archival audio in this recording is from the SoundBox collection, housed at UBCO’s Amp Lab. Find out more about the SoundBox collection here.

RESOURCES

Cipes, Sarah. “It’s more of a feeling… Digitizing Reel-to-Reel for the SpokenWeb SoundBox Collection.” AmpLab, online.

Fong, Deanna and Shearer, Karis. “Gender, Affective Labour, and Community-Building Through Literary Audio Recordings.” SPOKENWEBLOG, 21 April, 2022.

Wanting Everything: The Collected Works of Gladys Hindmarch. Eds. Deanna Fong and Karis Shearer. Vancouver: Talonbooks, 2020. Print.

  continue reading

96 episodes

Artwork
iconShare
 
Manage episode 347615239 series 2646403
Content provided by SpokenWeb. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by SpokenWeb or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This month, it is ShortCuts Live! We’ll still take a deep dive into the SpokenWeb archives through a short ‘cut’ of audio, but, in these ShortCuts Live! episodes, ShortCuts host and producer Katherine McLeod takes ShortCuts out of the archives and into the world. This month’s episode was recorded on-site at the SpokenWeb Symposium and Sound Institute in May 2022 at Concordia University in Montreal. It is a conversation with UBCO doctoral candidate Sarah Cipes.

At the time of recording this conversation, Sarah had just presented a paper called “Finding Due Balance: Sound Editing as a Feminist Practice in Literary Archives.” In fact, this paper was already in conversation – that is, part of a collaborative article in development with Dr. Deanna Fong and Dr. Karis Shearer who have developed feminist listening methodologies in their introduction to Wanting Everything: The Collected Works of Gladys Hindmarch and to their article, “Gender, Affective Labour, and Community-Building Through Literary Audio Recordings.” Listen to ShortCuts Live! to hear Sarah talk with Katherine about feminist redaction when working with sensitive materials in audio archives, and where this collaborative research will take her next.

EPISODE NOTES

A fresh take on sounds from the past, ShortCuts is a monthly feature on The SpokenWeb Podcast feed and an extension of the ShortCuts blog posts on SPOKENWEBLOG. Stay tuned for monthly episodes of ShortCuts on alternate fortnights (that’s every second week) following the monthly SpokenWeb podcast episode. If you are a SpokenWeb RA with an archival clip to feature on ShortCuts, do write to us at spokenwebpodcast@gmail.com with your pitch.

Host and Series Producer: Katherine McLeod

Supervising Producer: Kate Moffatt

Audio Engineer / Sound Designer: Miranda Eastwood

Production Manager and Transcriber: Kelly Cubbon

ARCHIVAL AUDIO

Archival audio in this recording is from the SoundBox collection, housed at UBCO’s Amp Lab. Find out more about the SoundBox collection here.

RESOURCES

Cipes, Sarah. “It’s more of a feeling… Digitizing Reel-to-Reel for the SpokenWeb SoundBox Collection.” AmpLab, online.

Fong, Deanna and Shearer, Karis. “Gender, Affective Labour, and Community-Building Through Literary Audio Recordings.” SPOKENWEBLOG, 21 April, 2022.

Wanting Everything: The Collected Works of Gladys Hindmarch. Eds. Deanna Fong and Karis Shearer. Vancouver: Talonbooks, 2020. Print.

  continue reading

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