In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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GREEN ROOM w/ Dylan Hryciuk
Manage episode 332202042 series 2361269
Content provided by The Terror Table. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Terror Table or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Mitch and Buzi welcome filmmaker and friend of the show, Dylan Hryciuk to talk about his debut short film project, OUR LAST DAY AS KIDS as well as a film that has inspired his story, GREEN ROOM (2015).
The table also shares some of their thoughts on some of the latest horror films they have checked out which include THE DRUID'S HAND (SASK PREMIERE), DINNER IN AMERICA, CRIMES OF THE FUTURE, CHIP N DALE, SHARK BAIT, BLOOD RAGE and MORBIUS.
Support Our Last Day as Kids on Kickstarter at http://kck.st/3wxEzNb
Follow the project on Instagram at @ourlastdayaskids and on facebook at https://www.facebook.com/ourlastdayaskids
You can also follow Dylan at https://www.instagram.com/dylanhryciuk/ and Versa Films at https://www.instagram.com/versafilms/
111 episodes
Share
Manage episode 332202042 series 2361269
Content provided by The Terror Table. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by The Terror Table or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Mitch and Buzi welcome filmmaker and friend of the show, Dylan Hryciuk to talk about his debut short film project, OUR LAST DAY AS KIDS as well as a film that has inspired his story, GREEN ROOM (2015).
The table also shares some of their thoughts on some of the latest horror films they have checked out which include THE DRUID'S HAND (SASK PREMIERE), DINNER IN AMERICA, CRIMES OF THE FUTURE, CHIP N DALE, SHARK BAIT, BLOOD RAGE and MORBIUS.
Support Our Last Day as Kids on Kickstarter at http://kck.st/3wxEzNb
Follow the project on Instagram at @ourlastdayaskids and on facebook at https://www.facebook.com/ourlastdayaskids
You can also follow Dylan at https://www.instagram.com/dylanhryciuk/ and Versa Films at https://www.instagram.com/versafilms/
111 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
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continue reading
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continue reading
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Determining if all these so called classic films are indeed just that.
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