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"ON STAGE, ON SCREEN": WRITING FOR PERFORMANCE with James Elazzi

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Manage episode 323049679 series 2940725
Content provided by WestWords. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by WestWords or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

James Elazzi is an Australian born writer, of Lebanese decent. His writing stems from his upbringing, combining a hybrid cultural melting pot of Lebanese and Australian heritage. His award-winning writing for the stage includes Lady Tabouli, Omar and Dawn and Son of Byblos.

Recently James completed his first screenplay, titled Karim's Cello. In this episode he speaks with James Roy about the differences between writing for stage vs writing for screen.

https://jameselazziwriter.wordpress.com/james-elazzi/

*** DISCLAIMER: Views expressed by guests of WestWords are not necessarily those of the WestWords organisation. ***

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85 episodes

Artwork
iconShare
 
Manage episode 323049679 series 2940725
Content provided by WestWords. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by WestWords or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

James Elazzi is an Australian born writer, of Lebanese decent. His writing stems from his upbringing, combining a hybrid cultural melting pot of Lebanese and Australian heritage. His award-winning writing for the stage includes Lady Tabouli, Omar and Dawn and Son of Byblos.

Recently James completed his first screenplay, titled Karim's Cello. In this episode he speaks with James Roy about the differences between writing for stage vs writing for screen.

https://jameselazziwriter.wordpress.com/james-elazzi/

*** DISCLAIMER: Views expressed by guests of WestWords are not necessarily those of the WestWords organisation. ***

  continue reading

85 episodes

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