In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Weird Scenes Week 100 (6/29/23): Jamie Lee Curtis
Manage episode 367471104 series 3023087
Content provided by thirdeyecinema. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by thirdeyecinema or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Santa Monica, Thanksgiving of 1958, Jamie Lee Curtis was born to screen idols Tony Curtis and Janet Leigh.
Left to be raised by a single mother as a toddler, Curtis dropped out after a single semester at law school to take on the wild world of thespianism as a television bit player in notable episodes of The Shaun Cassidy/Parker Stevenson Hardy Boys, Buck Rogers, Charlies Angels and Columbo, before a recurring part on the short lived Operation Petticoat sitcom.
But a prominent screen debut in John Carpenter’s soon to be iconic slasher Halloween led to a succession of similar roles both in and apart from the franchise that resulted, in such well remembered efforts as The Fog, Prom Night, Terror Train and Road Games (not to mention Halloween II, H2O, Resurrection and the recent revival trilogy under David Gordon Green.
Concerned about being typecast, she began to branch out into comedy, appearing (and generally stealing the show) in box office hits like Trading Places, A Fish Called Wanda, Freaky Friday and the recent Everything Everywhere All At Once as well as more dramatic roles in films like Perfect, Love Letters, Blue Steel and True Lies.
Join us as we take on the original "Final Girl", scream queen, comedienne and more, the one and only Jamie Lee Curtis, only here on Weird Scenes!
Week 100 (6/29/23): Jamie Lee Curtis
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Manage episode 367471104 series 3023087
Content provided by thirdeyecinema. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by thirdeyecinema or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Santa Monica, Thanksgiving of 1958, Jamie Lee Curtis was born to screen idols Tony Curtis and Janet Leigh.
Left to be raised by a single mother as a toddler, Curtis dropped out after a single semester at law school to take on the wild world of thespianism as a television bit player in notable episodes of The Shaun Cassidy/Parker Stevenson Hardy Boys, Buck Rogers, Charlies Angels and Columbo, before a recurring part on the short lived Operation Petticoat sitcom.
But a prominent screen debut in John Carpenter’s soon to be iconic slasher Halloween led to a succession of similar roles both in and apart from the franchise that resulted, in such well remembered efforts as The Fog, Prom Night, Terror Train and Road Games (not to mention Halloween II, H2O, Resurrection and the recent revival trilogy under David Gordon Green.
Concerned about being typecast, she began to branch out into comedy, appearing (and generally stealing the show) in box office hits like Trading Places, A Fish Called Wanda, Freaky Friday and the recent Everything Everywhere All At Once as well as more dramatic roles in films like Perfect, Love Letters, Blue Steel and True Lies.
Join us as we take on the original "Final Girl", scream queen, comedienne and more, the one and only Jamie Lee Curtis, only here on Weird Scenes!
Week 100 (6/29/23): Jamie Lee Curtis
https://weirdscenes1.wordpress.com/
https://www.facebook.com/WeirdScenes1
https://twitter.com/WeirdScenes1 (@weirdscenes1)
https://thirdeyecinema.podbean.com/
https://itunes.apple.com/us/podcast/third-eye-cinema-weird-scenes-inside-the-goldmine-podcast/id553402044
https:// (open.spotify.com) /show/4s8QkoE6PnAfh65C5on5ZS?nd=1
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100 episodes
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Similar to Third Eye Cinema / Weird Scenes Inside the Goldmine podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
…
continue reading
Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
…
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…
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In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
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continue reading
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