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298 – A Perfect World

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Content provided by Joe and Chris. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joe and Chris or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Early in the 1990s, two westerns emerged as Best Picture winners when the genre was first thought dead: Kevin Costner’s Dances with Wolves and Clint Eastwood’s Unforgiven. In 1993, those heralded actor-directors would unite for A Perfect World, casting Costner as an escaped convict who takes a small boy hostage and teaches him about masculinity, with Eastwood as the lawman in pursuit while also taking the directing reigns. That pedigree missed the Academy on this round, however, as the film’s downer telling was a poor fit to the holiday season to which it was launched.

This episode, we talk about the early poor reception for Costner’s new saga Horizon and our differing opinions on this film’s approach to masculinity. We also talk about Eastwood’s output in the 1990s, Laura Dern’s underserved role as a criminologist, and how the film disappointed for denying audiences an onscreen showdown between its male stars.

Topics also include Schindler’s List as the 1993 undeniable frontrunner, Costner’s sex appeal, and the Cahiers du Cinema.

Follow Us on Twitter!
@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil

  continue reading

335 episodes

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298 – A Perfect World

This Had Oscar Buzz

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Manage episode 426583331 series 2338068
Content provided by Joe and Chris. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Joe and Chris or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Early in the 1990s, two westerns emerged as Best Picture winners when the genre was first thought dead: Kevin Costner’s Dances with Wolves and Clint Eastwood’s Unforgiven. In 1993, those heralded actor-directors would unite for A Perfect World, casting Costner as an escaped convict who takes a small boy hostage and teaches him about masculinity, with Eastwood as the lawman in pursuit while also taking the directing reigns. That pedigree missed the Academy on this round, however, as the film’s downer telling was a poor fit to the holiday season to which it was launched.

This episode, we talk about the early poor reception for Costner’s new saga Horizon and our differing opinions on this film’s approach to masculinity. We also talk about Eastwood’s output in the 1990s, Laura Dern’s underserved role as a criminologist, and how the film disappointed for denying audiences an onscreen showdown between its male stars.

Topics also include Schindler’s List as the 1993 undeniable frontrunner, Costner’s sex appeal, and the Cahiers du Cinema.

Follow Us on Twitter!
@Had_Oscar_Buzz
Joe: @joereid
Chris: @chrisvfeil

  continue reading

335 episodes

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