In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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The Tally Ho talks to Dean Motter about Shattered Visage
Manage episode 232111395 series 1321442
Content provided by Time for Cakes and Ale and Time for Cakes. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Time for Cakes and Ale and Time for Cakes or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Welcome to The Tally Ho, a podcast about the classic TV series The Prisoner. Following on from our recent episode about the re-release of Shattered Visage, we had the great pleasure of interviewing the writer and artist behind the book, legendary comics creator Dean Motter. Dean Motter has worked as an illustrator, designer, editor, art director and writer for over 40 years. His hugely influential style - combining retro-futurism with hard-boiled noir - has brought us classics including Mister X, Terminal City and Electropolis.
Shattered Visage was originally published by DC as a 4 issue miniseries in 1988-1989 (twenty years after the original TV show airing, and set contemporaneously), the series was written by Dean Motter and Mark Askwith, and drawn by Dean Motter, with colour art by David Hornung and Richmond Lewis. Dean talked to us about how he put together the project and the influences on Shattered Visage as well as his other major works.
Time for Cakes and Ale, a podcast featuring geeky ramblings with Becks & Eeson, and also home to "Time for Cherry Pie and Coffee", a Twin Peaks podcast, and "The Tally Ho", a Prisoner podcast.
Follow us on Twitter @TFCAA
Like us on Facebook
Visit our Website
Hosted on Acast. See acast.com/privacy for more information.
130 episodes
Share
Manage episode 232111395 series 1321442
Content provided by Time for Cakes and Ale and Time for Cakes. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Time for Cakes and Ale and Time for Cakes or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Welcome to The Tally Ho, a podcast about the classic TV series The Prisoner. Following on from our recent episode about the re-release of Shattered Visage, we had the great pleasure of interviewing the writer and artist behind the book, legendary comics creator Dean Motter. Dean Motter has worked as an illustrator, designer, editor, art director and writer for over 40 years. His hugely influential style - combining retro-futurism with hard-boiled noir - has brought us classics including Mister X, Terminal City and Electropolis.
Shattered Visage was originally published by DC as a 4 issue miniseries in 1988-1989 (twenty years after the original TV show airing, and set contemporaneously), the series was written by Dean Motter and Mark Askwith, and drawn by Dean Motter, with colour art by David Hornung and Richmond Lewis. Dean talked to us about how he put together the project and the influences on Shattered Visage as well as his other major works.
Time for Cakes and Ale, a podcast featuring geeky ramblings with Becks & Eeson, and also home to "Time for Cherry Pie and Coffee", a Twin Peaks podcast, and "The Tally Ho", a Prisoner podcast.
Follow us on Twitter @TFCAA
Like us on Facebook
Visit our Website
Hosted on Acast. See acast.com/privacy for more information.
130 episodes
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Similar to Time for Cakes and Ale
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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