In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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8: Sudden Loss of Cabin Pressure (Feat. Dan Romer)
Manage episode 361910208 series 3457759
Content provided by To the White Sea. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by To the White Sea or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Today we're so excited to be joined by our dear friend, composer and musician, Dan Romer. We read pages 15-16 and discuss Dan's unique, POV-driven approach to composing scores for films and TV shows. Then we freefall through this week's prism: it's all about moments in Coens films when the tone shifts radically. Along the way we read from Carter Burwell's notes on how the films and their scores came together.
Coens covered: Fargo, The Man Who Wasn't There, Intolerable Cruelty, The Big Lebowski
Coens covered: Fargo, The Man Who Wasn't There, Intolerable Cruelty, The Big Lebowski
If you're enjoying the show please follow us on social media, tell people about the show, and rate and review us on iTunes. Go crazy.
You can also support us directly at https://ko-fi.com/tothewhitesea.
For all things TTWS visit tothewhitesea.me
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Manage episode 361910208 series 3457759
Content provided by To the White Sea. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by To the White Sea or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Today we're so excited to be joined by our dear friend, composer and musician, Dan Romer. We read pages 15-16 and discuss Dan's unique, POV-driven approach to composing scores for films and TV shows. Then we freefall through this week's prism: it's all about moments in Coens films when the tone shifts radically. Along the way we read from Carter Burwell's notes on how the films and their scores came together.
Coens covered: Fargo, The Man Who Wasn't There, Intolerable Cruelty, The Big Lebowski
Coens covered: Fargo, The Man Who Wasn't There, Intolerable Cruelty, The Big Lebowski
If you're enjoying the show please follow us on social media, tell people about the show, and rate and review us on iTunes. Go crazy.
You can also support us directly at https://ko-fi.com/tothewhitesea.
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30 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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