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242 - The Iron Claw
Manage episode 391940328 series 62823
Content provided by Tonebenders Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tonebenders Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Crowds are so hard to make sound authentic & alive in sports films. So much work goes into designing large crowds that roar with emotion. In The Iron Claw, the wrestling scenes have crowds that sound fantastic and we have the audio team here to tell us how they created them. From capturing the extras on set and recording loop group, through sound design and final mixing we go into each step to creating great sounding crowds. Production sound mixer Paul Ledford, Dialog/ADR supervisor Martin Gwynn Jones, Sound Designer Brennan Mercer, Re-Recording Mixer and Sound Supervisor Matt Chan and Re-Recording Mixer Graham Rogers tell us about making crowds and lots more. Show Notes: https://tonebenderspodcast.com/242---the-iron-claw/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead
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270 episodes
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Manage episode 391940328 series 62823
Content provided by Tonebenders Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tonebenders Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Crowds are so hard to make sound authentic & alive in sports films. So much work goes into designing large crowds that roar with emotion. In The Iron Claw, the wrestling scenes have crowds that sound fantastic and we have the audio team here to tell us how they created them. From capturing the extras on set and recording loop group, through sound design and final mixing we go into each step to creating great sounding crowds. Production sound mixer Paul Ledford, Dialog/ADR supervisor Martin Gwynn Jones, Sound Designer Brennan Mercer, Re-Recording Mixer and Sound Supervisor Matt Chan and Re-Recording Mixer Graham Rogers tell us about making crowds and lots more. Show Notes: https://tonebenderspodcast.com/242---the-iron-claw/ Podcast Homepage: https://tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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