In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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247 - Maestro
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Manage episode 397425132 series 62823
Content provided by Tonebenders Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tonebenders Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We dig into the ambitious sound work done on Director Bradley Cooper's latest film, Maestro. They recorded the London Symphony Orchestra live on set with out any pre-recorded tracks. I am not sure anything like this has been attempted before? In addition to the huge orchestra scenes, there are intensely quiet scenes, that required a whole different set of skills to pull off. Re-Recording Mixers Dean Zupancic & Tom Ozanich are joined by Production Mixer Steven Morrow and Supervising Music Editor Jason Ruder to walk us through how they pulled off their Oscar nominated work. Show Notes:https://tonebenderspodcast.com/247---maestro/ Podcast Homepage: tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead
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270 episodes
MP3•Episode home
Manage episode 397425132 series 62823
Content provided by Tonebenders Podcast. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tonebenders Podcast or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We dig into the ambitious sound work done on Director Bradley Cooper's latest film, Maestro. They recorded the London Symphony Orchestra live on set with out any pre-recorded tracks. I am not sure anything like this has been attempted before? In addition to the huge orchestra scenes, there are intensely quiet scenes, that required a whole different set of skills to pull off. Re-Recording Mixers Dean Zupancic & Tom Ozanich are joined by Production Mixer Steven Morrow and Supervising Music Editor Jason Ruder to walk us through how they pulled off their Oscar nominated work. Show Notes:https://tonebenderspodcast.com/247---maestro/ Podcast Homepage: tonebenderspodcast.com Tonebenders Host This Episode: Timothy Muirhead
…
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270 episodes
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