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Thomas Binkley and Orientalism in the Early Music Movement

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Manage episode 349900781 series 2739705
Content provided by Trobár - Allison Monroe, Elena Mullins, Karin Weston, Trobár - Allison Monroe, Elena Mullins, and Karin Weston. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Trobár - Allison Monroe, Elena Mullins, Karin Weston, Trobár - Allison Monroe, Elena Mullins, and Karin Weston or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode the trio discusses the influence that Middle Eastern traditions may or may not have had on the development of European medieval music, and what modern re-creators of the music (like Thomas Binkley) have learned from studying those traditions. In particular we discuss Binkley's "On the Modern Performance of Medieval Monophonic Repertory," Jonathan Shull's "Locating the Past in the Present: Living Traditions and the Performance of Early Music," Kirsten Yri's "Thomas Binkley and the Studio der Frühen Musik: challenging 'the myth of Westernness," and John Haines's "The Arabic Style of Performing Medieval Music."
Mentioned in the episode: musical selections by Boston Camerata; Sequentia; New York Pro Musica; Studio der Frühen Musik; more Studio; Altramar

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16 episodes

Artwork
iconShare
 
Manage episode 349900781 series 2739705
Content provided by Trobár - Allison Monroe, Elena Mullins, Karin Weston, Trobár - Allison Monroe, Elena Mullins, and Karin Weston. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Trobár - Allison Monroe, Elena Mullins, Karin Weston, Trobár - Allison Monroe, Elena Mullins, and Karin Weston or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode the trio discusses the influence that Middle Eastern traditions may or may not have had on the development of European medieval music, and what modern re-creators of the music (like Thomas Binkley) have learned from studying those traditions. In particular we discuss Binkley's "On the Modern Performance of Medieval Monophonic Repertory," Jonathan Shull's "Locating the Past in the Present: Living Traditions and the Performance of Early Music," Kirsten Yri's "Thomas Binkley and the Studio der Frühen Musik: challenging 'the myth of Westernness," and John Haines's "The Arabic Style of Performing Medieval Music."
Mentioned in the episode: musical selections by Boston Camerata; Sequentia; New York Pro Musica; Studio der Frühen Musik; more Studio; Altramar

Support the show
  continue reading

16 episodes

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