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It’s the very first episode of The Big Pitch with Jimmy Carr and our first guest is Phil Wang! And Phil’s subgenre is…This Place is Evil. We’re talking psychological torture, we’re talking gory death scenes, we’re talking Lorraine Kelly?! The Big Pitch with Jimmy Carr is a brand new comedy podcast where each week a different celebrity guest pitches an idea for a film based on one of the SUPER niche sub-genres on Netflix. From ‘Steamy Crime Movies from the 1970s’ to ‘Australian Dysfunctional Family Comedies Starring A Strong Female Lead’, our celebrity guests will pitch their wacky plot, their dream cast, the marketing stunts, and everything in between. By the end of every episode, Jimmy Carr, Comedian by night / “Netflix Executive” by day, will decide whether the pitch is greenlit or condemned to development hell! Listen on all podcast platforms and watch on the Netflix Is A Joke YouTube Channel . The Big Pitch is a co-production by Netflix and BBC Studios Audio. Jimmy Carr is an award-winning stand-up comedian and writer, touring his brand-new show JIMMY CARR: LAUGHS FUNNY throughout the USA from May to November this year, as well as across the UK and Europe, before hitting Australia and New Zealand in early 2026. All info and tickets for the tour are available at JIMMYCARR.COM Production Coordinator: Becky Carewe-Jeffries Production Manager: Mabel Finnegan-Wright Editor: Stuart Reid Producer: Pete Strauss Executive Producer: Richard Morris Executive Producers for Netflix: Kathryn Huyghue, Erica Brady, and David Markowitz Set Design: Helen Coyston Studios: Tower Bridge Studios Make Up: Samantha Coughlan Cameras: Daniel Spencer Sound: Charlie Emery Branding: Tim Lane Photography: James Hole…
Content provided by Unsung Stories. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Unsung Stories or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This podcast series features five initial episodes of the stories of women who undertook significant work at the Columbia-Princeton Electronic Music Center and the Computer Music Center at Columbia University. In conversation with historical musicologists, music theorists, and fellow composers, they explore aspects of their experiences within the field of electronic music. We hope to continue building on this archive of interviews in the future. This project is made possible by the generous support of a public outreach grant from the Center for Science and Society at Columbia University.
Content provided by Unsung Stories. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Unsung Stories or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This podcast series features five initial episodes of the stories of women who undertook significant work at the Columbia-Princeton Electronic Music Center and the Computer Music Center at Columbia University. In conversation with historical musicologists, music theorists, and fellow composers, they explore aspects of their experiences within the field of electronic music. We hope to continue building on this archive of interviews in the future. This project is made possible by the generous support of a public outreach grant from the Center for Science and Society at Columbia University.
Composer Yuriko Hase Kojima (Shobi University) joins us in conversation with electroacoustic music researcher Cathy Cox (Kunitachi College of Music). Together they take us through Kojima’s musical history, including her time at Columbia during the transition from the Electronic Music Center (EMC) to the Computer Music Center (CMC) in the mid-90s. Yuriko speaks about how electronics help her to realize the sounds in her mind that cannot be put to paper. The interview also touches on the importance that female compositional role models have had on her artistic development, including interactions with Betsy Jolas and Mari Kimura. [Special thanks to Cathy Cox for additional editing.] For a sampling of Yuriko’s music, check out: https://soundcloud.com/yurikohasekojima/tracks For more information, please visit: unsungstoriescmc.com…
Composer/sound artist Yvette Janine Jackson (Harvard University) speaks with music historian Amy Cimini (UC San Diego) about her time at Columbia’s CMC in the mid ‘90s, her fascination with splicing things together, and bringing attention to social issues and historical events through experimental sound. Their conversation covers, amongst many topics, narrative soundscape composition, and Yvette’s steady diet of radio drama and Charles Mingus, which has served as inspiration and fueled her radio operas. For Yvette’s website, check out: www.yvettejackson.com For more information, please visit: unsungstoriescmc.com…
Interviewed by composer Sky Macklay (Valparaiso University), singer-songwriter/guitarist Sondra E. Woodruff II speaks about her music, studies at Columbia, and involvement at the CMC. Sondra has toured with the Backstreet Boys, opened for Anthony Hamilton, performed with Taylor Swift, recorded with LL Cool J, and played guitar for Aaron Pfeiffer, Drew Vision, Bets, and Sara Ramirez. She is also co-director and co-founder of The SCALE Fellowship Program, to promote the advancement of Black women in music, especially in Pittsburgh. For more information, please visit: unsungstoriescmc.com To learn more about SCALE, explore: https://www.limelightpgh.com/about-scale For Sondra’s website, check out: https://sewthesecond.com…
Maverick Pril Smiley speaks with historical musicologist Brigid Cohen (New York University, FAS) about her early days working and making electronic music at the CPEMC (now CMC), and her compositions for theatre amongst other fascinating projects. For more information, please visit: unsungstoriescmc.com…
In conversation with musicologist Danielle Sofer, classical and electronic music composer Alice Shields speaks about her early life and influences, as well as the time she spent at the Columbia-Princeton Electronic Music Center (CPEMC), which became Columbia University's Computer Music Center (CMC). Listen to parts 2 and 3 of this conversation with Alice Shields: tinyurl.com/alice-shields2 For more information, please visit: unsungstoriescmc.com…
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