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From The Mandalorian to Pinocchio: Halon Entertainment's Insights in Virtual Production

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Manage episode 421224135 series 2992006
Content provided by New Territory Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Territory Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, we dive into the world of virtual production with Meredith Brace Sloss and Jess Marley from Halon Entertainment. They share insights from their work on The Mandalorian, Pinocchio, and other groundbreaking projects
📧 GET THE VP LAND NEWSLETTER
Subscribe for free for the latest news and BTS insights on video creation 2-3x a week:
https://ntm.link/vp_land
📺 MORE VP LAND EPISODES
Breaking Things to Learn: Inside RIT's VP Research & Education
https://youtu.be/wgFomkIYRnY
This indie sci-fi film used miniatures
https://youtu.be/n9FnPxlra-I
This music video tested out every new piece of filmmaking gear
https://youtu.be/vFFqiyU2wUY
Connect with Meredith and Jess @ Halon:
Website - https://halon.com
Vimeo - https://vimeo.com/halon
Facebook - https://www.facebook.com/HalonEntertainment
LinkedIn - https://www.linkedin.com/company/halon-entertainment
Meredith @ LinkedIn - https://www.linkedin.com/in/meredithbracesloss
Jess @ LinkedIn - https://www.linkedin.com/in/jess-marley-823a5711
Meredith Brace Sloss is a Project Manager for the Virtual Art Department at Halon Entertainment. Prior to joining Halon, Meredith has worked for companies such as Netflix, ABC Network, and the British Film Commission. Most recently she was with Lucasfilm, where she worked on Obi-Wan Kenobi and The Book of Boba Fett, as well as the upcoming season of The Mandalorian, Ahsoka, Star Wars: Skeleton Crew. At Halon, Meredith works primarily with the Photogrammetry team and internal projects.
Jess joined Halon as a Previs artist working on titles such as Ride Along 2, War for the Planet of the Apes, Pacific Rim: Uprising, Logan, and The Call of the Wild before taking on a more specialized role as a Supervisor in Halon’s Virtual Art Department. He has worked on titles such as Red Notice, The Batman, Aquaman and the Lost Kingdom, and a host of blockbuster level films currently in production.
#############
📝 SHOW NOTES & SOURCES
Halon Entertainment @ Vimeo
https://vimeo.com/halon
Lux Machina Consulting
https://www.luxmc.com
Sweetwater NEP Live Events
https://www.nepsweetwater.com
Star Wars @ YouTube
https://www.youtube.com/@StarWars
Industrial Light & Magic
https://www.youtube.com/@ILMVFX
KitBash3D
https://www.youtube.com/kitbash3d
Walt Disney Studios
https://www.youtube.com/@DisneyMovieTrailers
Netflix
https://www.youtube.com/@Netflix
Screen Rant
https://www.youtube.com/@ScreenRant
RIT Magic Center
https://www.youtube.com/@ritmagiccenter
Seymour Marine Discovery Center
https://seymourcenter.ucsc.edu
CaseyNeistat
https://www.youtube.com/@casey
Bad Decisions Studio
https://www.youtube.com/@badxstudio
Apple
https://www.youtube.com/@Apple
#############
00:00 Intro
01:45 Meredith's Background
02:47 Jess' Background
04:15 Halon's Services
05:29 Ideal Virtual Production Process
08:11 When Virtual Production Makes Sense
10:54 Contemporary Uses of Virtual Production
13:30 Making Hard Shots Easy
15:16 The Mandalorian and Lucasfilm
21:06 Virtual Scouting Process
25:08 Baking and Lighting Virtual Sets
27:22 Photogrammetry for The Sphere
34:52 New Technologies in Photogrammetry
37:36 Budget Considerations for Virtual Production
40:49 Advice for Aspiring Virtual Production Artists
50:51 Thoughts on Apple Vision Pro

  continue reading

38 episodes

Artwork
iconShare
 
Manage episode 421224135 series 2992006
Content provided by New Territory Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Territory Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

In this episode, we dive into the world of virtual production with Meredith Brace Sloss and Jess Marley from Halon Entertainment. They share insights from their work on The Mandalorian, Pinocchio, and other groundbreaking projects
📧 GET THE VP LAND NEWSLETTER
Subscribe for free for the latest news and BTS insights on video creation 2-3x a week:
https://ntm.link/vp_land
📺 MORE VP LAND EPISODES
Breaking Things to Learn: Inside RIT's VP Research & Education
https://youtu.be/wgFomkIYRnY
This indie sci-fi film used miniatures
https://youtu.be/n9FnPxlra-I
This music video tested out every new piece of filmmaking gear
https://youtu.be/vFFqiyU2wUY
Connect with Meredith and Jess @ Halon:
Website - https://halon.com
Vimeo - https://vimeo.com/halon
Facebook - https://www.facebook.com/HalonEntertainment
LinkedIn - https://www.linkedin.com/company/halon-entertainment
Meredith @ LinkedIn - https://www.linkedin.com/in/meredithbracesloss
Jess @ LinkedIn - https://www.linkedin.com/in/jess-marley-823a5711
Meredith Brace Sloss is a Project Manager for the Virtual Art Department at Halon Entertainment. Prior to joining Halon, Meredith has worked for companies such as Netflix, ABC Network, and the British Film Commission. Most recently she was with Lucasfilm, where she worked on Obi-Wan Kenobi and The Book of Boba Fett, as well as the upcoming season of The Mandalorian, Ahsoka, Star Wars: Skeleton Crew. At Halon, Meredith works primarily with the Photogrammetry team and internal projects.
Jess joined Halon as a Previs artist working on titles such as Ride Along 2, War for the Planet of the Apes, Pacific Rim: Uprising, Logan, and The Call of the Wild before taking on a more specialized role as a Supervisor in Halon’s Virtual Art Department. He has worked on titles such as Red Notice, The Batman, Aquaman and the Lost Kingdom, and a host of blockbuster level films currently in production.
#############
📝 SHOW NOTES & SOURCES
Halon Entertainment @ Vimeo
https://vimeo.com/halon
Lux Machina Consulting
https://www.luxmc.com
Sweetwater NEP Live Events
https://www.nepsweetwater.com
Star Wars @ YouTube
https://www.youtube.com/@StarWars
Industrial Light & Magic
https://www.youtube.com/@ILMVFX
KitBash3D
https://www.youtube.com/kitbash3d
Walt Disney Studios
https://www.youtube.com/@DisneyMovieTrailers
Netflix
https://www.youtube.com/@Netflix
Screen Rant
https://www.youtube.com/@ScreenRant
RIT Magic Center
https://www.youtube.com/@ritmagiccenter
Seymour Marine Discovery Center
https://seymourcenter.ucsc.edu
CaseyNeistat
https://www.youtube.com/@casey
Bad Decisions Studio
https://www.youtube.com/@badxstudio
Apple
https://www.youtube.com/@Apple
#############
00:00 Intro
01:45 Meredith's Background
02:47 Jess' Background
04:15 Halon's Services
05:29 Ideal Virtual Production Process
08:11 When Virtual Production Makes Sense
10:54 Contemporary Uses of Virtual Production
13:30 Making Hard Shots Easy
15:16 The Mandalorian and Lucasfilm
21:06 Virtual Scouting Process
25:08 Baking and Lighting Virtual Sets
27:22 Photogrammetry for The Sphere
34:52 New Technologies in Photogrammetry
37:36 Budget Considerations for Virtual Production
40:49 Advice for Aspiring Virtual Production Artists
50:51 Thoughts on Apple Vision Pro

  continue reading

38 episodes

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