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We Need to Talk About Emmy #10: Florian Hoffmeister on the cinematography of "True Detective: Night Country”

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Manage episode 424810461 series 3554463
Content provided by We Need to Talk About Oscar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by We Need to Talk About Oscar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This time on the show, Áron speaks with Florian Hoffmeister, the cinematographer of “True Detective: The Night Country”, the fourth season of the beloved HBO anthology series.
Florian shared his experiences on the technical and logistical challenges of shooting in the extreme conditions of Iceland. From the complexities of filming both indoors on stages, and outdoors in the low-light conditions, to the special lighting techniques required, as well as the safety measures necessary for working in the cold environment.
He also highlighted his deep involvement in crafting the series' mood and look, achieved through extensive experimentation before shooting started.

  continue reading

30 episodes

Artwork
iconShare
 
Manage episode 424810461 series 3554463
Content provided by We Need to Talk About Oscar. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by We Need to Talk About Oscar or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This time on the show, Áron speaks with Florian Hoffmeister, the cinematographer of “True Detective: The Night Country”, the fourth season of the beloved HBO anthology series.
Florian shared his experiences on the technical and logistical challenges of shooting in the extreme conditions of Iceland. From the complexities of filming both indoors on stages, and outdoors in the low-light conditions, to the special lighting techniques required, as well as the safety measures necessary for working in the cold environment.
He also highlighted his deep involvement in crafting the series' mood and look, achieved through extensive experimentation before shooting started.

  continue reading

30 episodes

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