In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Fondavision: Cat Ballou (1965)
Manage episode 308416733 series 2328112
Content provided by Danita Steinberg & Emily Gagne, Danita Steinberg, and Emily Gagne. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Danita Steinberg & Emily Gagne, Danita Steinberg, and Emily Gagne or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"Well now friends just lend an ear, for you're now about to hear ... the ballad of Cat Ballou!" On this week's episode of We Really Like Her!'s FONDAVISION miniseries, Danita and Emily ride into Wolf City, Wyomin' to hang with the infamous Cat Ballou. How did this zany, 1960s comedy-western (a favourite of Bryan Cranston and the Farrelly Brothers?) get away with giving Lee Marvin two scenery-chewing roles while Jane Fonda (who played the *titular* Cat) an underdeveloped one? Would it have been better as a full-fledged musical with Jane singing alongside the late, great Nat King Cole and Stubby Kaye? And which young starlet could play Cat in a reboot where, hopefully, the so-called "wildest gal in the West" actually takes the reins?
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Manage episode 308416733 series 2328112
Content provided by Danita Steinberg & Emily Gagne, Danita Steinberg, and Emily Gagne. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Danita Steinberg & Emily Gagne, Danita Steinberg, and Emily Gagne or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"Well now friends just lend an ear, for you're now about to hear ... the ballad of Cat Ballou!" On this week's episode of We Really Like Her!'s FONDAVISION miniseries, Danita and Emily ride into Wolf City, Wyomin' to hang with the infamous Cat Ballou. How did this zany, 1960s comedy-western (a favourite of Bryan Cranston and the Farrelly Brothers?) get away with giving Lee Marvin two scenery-chewing roles while Jane Fonda (who played the *titular* Cat) an underdeveloped one? Would it have been better as a full-fledged musical with Jane singing alongside the late, great Nat King Cole and Stubby Kaye? And which young starlet could play Cat in a reboot where, hopefully, the so-called "wildest gal in the West" actually takes the reins?
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Similar to We Really Like Her!
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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