In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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WWTD 221 - The Devil and Max Devlin: A Flippin' Diddler
Manage episode 244145712 series 1051815
Content provided by We Want The D. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by We Want The D or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Sometimes, D-Lovers, you hope against hope that something that looks like a duck and quacks like a duck just isn't a duck. In this case, we looked at Disney's THE DEVIL AND MAX DEVLIN and hoped that just because it's a Ron Miller-led 80s movie pre-Touchstone, and just because it stars Elliott Gould (who we've already learned isn't really "on-brand" for Disney as a leading man), and just because *sigh* Bill Cosby is also in it, that somehow it might not be as bad as it looks on paper. Turns out, it might be worse.
409 episodes
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Manage episode 244145712 series 1051815
Content provided by We Want The D. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by We Want The D or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Sometimes, D-Lovers, you hope against hope that something that looks like a duck and quacks like a duck just isn't a duck. In this case, we looked at Disney's THE DEVIL AND MAX DEVLIN and hoped that just because it's a Ron Miller-led 80s movie pre-Touchstone, and just because it stars Elliott Gould (who we've already learned isn't really "on-brand" for Disney as a leading man), and just because *sigh* Bill Cosby is also in it, that somehow it might not be as bad as it looks on paper. Turns out, it might be worse.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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