In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Content provided by Jordan Clark. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jordan Clark or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Black Like Me (Feat. Dare Johnson)
Manage episode 385300502 series 2966452
Content provided by Jordan Clark. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jordan Clark or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
As the Holiday season starts up, we turn towards a classic, and one we've been low-key avoiding. But the time has finally come for us to watch one of the craziest movies we've seen so far, 1964's Black Like Me.
We're joined by friend of the show Dare Johnson to talk about a movie where a white man pretends to be Black to see "what it's like." If that wasn't bad enough, it's based on a real experiment done by journalist John Howard Griffin.
We've got a lot to talk about with this one, including how not one Black person called him out for obviously being a white man, how no Black person knew he was a white man, and how not one damn Black person said, "ain't you a white man"?
As we get ready to close out 2023, we just want to say how much we appreciate you all and we hope you're able to wind down and spend some quality time with those you love. Times are rough, so be sure to hold on to the good things.
You can find Dare @badicaldude, and hit us up at @white_pod on Twitter and at whitepeoplewontsaveyoupod@gmail.com to let us know what you thought of this one and what we should watch in 2024. We'll be back in two weeks with Spike Lee produced, Son of the South.
100 episodes
Share
Manage episode 385300502 series 2966452
Content provided by Jordan Clark. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Jordan Clark or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
As the Holiday season starts up, we turn towards a classic, and one we've been low-key avoiding. But the time has finally come for us to watch one of the craziest movies we've seen so far, 1964's Black Like Me.
We're joined by friend of the show Dare Johnson to talk about a movie where a white man pretends to be Black to see "what it's like." If that wasn't bad enough, it's based on a real experiment done by journalist John Howard Griffin.
We've got a lot to talk about with this one, including how not one Black person called him out for obviously being a white man, how no Black person knew he was a white man, and how not one damn Black person said, "ain't you a white man"?
As we get ready to close out 2023, we just want to say how much we appreciate you all and we hope you're able to wind down and spend some quality time with those you love. Times are rough, so be sure to hold on to the good things.
You can find Dare @badicaldude, and hit us up at @white_pod on Twitter and at whitepeoplewontsaveyoupod@gmail.com to let us know what you thought of this one and what we should watch in 2024. We'll be back in two weeks with Spike Lee produced, Son of the South.
100 episodes
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Similar to White People Won't Save You
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
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Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
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Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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…
continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
…
continue reading
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