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Lisa Howard on Originating Roles on Broadway and the Unjust Stigma Associated with Plus-Sized Actors

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Manage episode 357817687 series 2363906
Content provided by Patrick Oliver Jones. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Patrick Oliver Jones or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

As collaborative as theater can be, there are sometimes when the creative process can be more like herding cats—with no clear direction as everyone tries to get on the same page…hopefully. And that’s Broadway or community theater, a web series or major motion picture. I’ve certainly been in shows that started off a bit chaotic but got better as the cast and creative team could unify around a singular vision for the show. But today’s guest has a few stories about the various ways shows come together, some more successful than others.

Lisa Howard began her Broadway career almost 20 years ago with a little show with a big name: The 25th Annual Putnam County Spelling Bee. Since then she’s gone on to originate roles in three other Broadway shows and will be talking about two of them in this episode. The first is 9 to 5, which she calls one of the roughest rehearsal periods she’s ever gone through, followed up by Escape to Margaritaville, a fun show for the cast that didn’t find as much fun here in New York City. And we end with a discussion of a topic that she says comes up in every interview--but for this podcast, she wanted to talk about it on her own terms rather than it being something someone else found brave or unusual.

  • INTRO - performing in 42ND STREET at Goodspeed & what made SPELLING BEE so much fun
  • STORY #1 - 9 TO 5's rough and challenging rehearsal process
  • STORY #2 - Escape to Margaritaville was fun for the cast but not audiences
  • STORY #3 - how being plus-sized is portrayed onstage and in interviews

Audio clips in this episode were used from Ghostlight Records and 2005 Tony Awards.

SUBSCRIBE TO WINMI

Get access to Audition Stories, the Final Five questions, and other bonus content by becoming a monthly or yearly subscriber to Why I’ll Never Make It. Producing this podcast is rewarding in its own way, but I’m essentially a one-man operation. So it is both costly and time-intensive to put together each episode. By subscribing you’ll be supporting these podcasting efforts, and have access to extended conversations and other bonus content. Your financial support of this podcast is greatly appreciated!

  • Subscribe to get access to bonus episodes and extra content
  • Make a one-time Donation to support transcripts and podcast production
  • If you’d like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.

Follow WINMI: Website | Instagram | YouTube

———-

Why I’ll Never Make It is an award-winning, Top Theater Podcast hosted by actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

297 episodes

Artwork
iconShare
 
Manage episode 357817687 series 2363906
Content provided by Patrick Oliver Jones. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Patrick Oliver Jones or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

As collaborative as theater can be, there are sometimes when the creative process can be more like herding cats—with no clear direction as everyone tries to get on the same page…hopefully. And that’s Broadway or community theater, a web series or major motion picture. I’ve certainly been in shows that started off a bit chaotic but got better as the cast and creative team could unify around a singular vision for the show. But today’s guest has a few stories about the various ways shows come together, some more successful than others.

Lisa Howard began her Broadway career almost 20 years ago with a little show with a big name: The 25th Annual Putnam County Spelling Bee. Since then she’s gone on to originate roles in three other Broadway shows and will be talking about two of them in this episode. The first is 9 to 5, which she calls one of the roughest rehearsal periods she’s ever gone through, followed up by Escape to Margaritaville, a fun show for the cast that didn’t find as much fun here in New York City. And we end with a discussion of a topic that she says comes up in every interview--but for this podcast, she wanted to talk about it on her own terms rather than it being something someone else found brave or unusual.

  • INTRO - performing in 42ND STREET at Goodspeed & what made SPELLING BEE so much fun
  • STORY #1 - 9 TO 5's rough and challenging rehearsal process
  • STORY #2 - Escape to Margaritaville was fun for the cast but not audiences
  • STORY #3 - how being plus-sized is portrayed onstage and in interviews

Audio clips in this episode were used from Ghostlight Records and 2005 Tony Awards.

SUBSCRIBE TO WINMI

Get access to Audition Stories, the Final Five questions, and other bonus content by becoming a monthly or yearly subscriber to Why I’ll Never Make It. Producing this podcast is rewarding in its own way, but I’m essentially a one-man operation. So it is both costly and time-intensive to put together each episode. By subscribing you’ll be supporting these podcasting efforts, and have access to extended conversations and other bonus content. Your financial support of this podcast is greatly appreciated!

  • Subscribe to get access to bonus episodes and extra content
  • Make a one-time Donation to support transcripts and podcast production
  • If you’d like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.

Follow WINMI: Website | Instagram | YouTube

———-

Why I’ll Never Make It is an award-winning, Top Theater Podcast hosted by actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

297 episodes

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