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Dan Knechtges Goes from Broadway Director to Artistic Director

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Manage episode 375497161 series 2941202
Content provided by Patrick Oliver Jones. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Patrick Oliver Jones or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Regional theater is really the lifeblood of the performing arts in America. It’s the place where we get that first spark and inspiration to become lifelong theatergoers or decide to become actors ourselves. But in recent years regional theaters have been struggling to find audiences and to just stay open. The pandemic caused some to close their doors for good, and the ones that remain suffered through uncertain futures.

Theatre Under the Stars in Houston, Texas was one such theater that canceled their season and lost millions of dollars in revenue and donations. But it slowly came back in 2021 and is about to start a new season under the leadership of its Tony-nominated artistic director, Dan Knechtges.

He previously directed and choreographed Broadway shows like Xanadu and 110 in the Shade as well as his Broadway debut with The 25th Annual Putnam County Spelling Bee. I’ve worked with him twice: at The Muny doing Seussical and then at TUTS with How to Succeed in Business Without Really Trying. We not only discuss Xanadu and his tenure at TUTS but we also delve into a creative crisis he faced, where he almost quit the business. It’s a candid conversation with one of the most approachable and down to earth directors I’ve ever worked with.

  • INTRO - What he looks for in actors he works with
  • STORY #1 - Landing Spelling Bee after a creative breakdown and giving up
  • STORY #2 - Getting to choreograph Xanadu and then the struggling in previews
  • STORY #3 - Transition from director/choreographer to artistic director/producer

Subscribe to WINMI

Producing this podcast is a rewarding experience, but it's also costly and time-consuming as I’m essentially a one-man operation. By subscribing you’ll be supporting these podcasting efforts, and have access to extended conversations and other bonus content. Whether you subscribe or donate, your financial support of this podcast is greatly appreciated!

  • Subscribe to get access to bonus episodes and extra content
  • Make a one-time Donation to support transcripts and podcast production
  • If you'd like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.

Follow WINMI: Website | Instagram | Twitter | YouTube

----------

Why I’ll Never Make It is an award-winning, Top Theater Podcast with actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

342 episodes

Artwork
iconShare
 
Manage episode 375497161 series 2941202
Content provided by Patrick Oliver Jones. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Patrick Oliver Jones or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Regional theater is really the lifeblood of the performing arts in America. It’s the place where we get that first spark and inspiration to become lifelong theatergoers or decide to become actors ourselves. But in recent years regional theaters have been struggling to find audiences and to just stay open. The pandemic caused some to close their doors for good, and the ones that remain suffered through uncertain futures.

Theatre Under the Stars in Houston, Texas was one such theater that canceled their season and lost millions of dollars in revenue and donations. But it slowly came back in 2021 and is about to start a new season under the leadership of its Tony-nominated artistic director, Dan Knechtges.

He previously directed and choreographed Broadway shows like Xanadu and 110 in the Shade as well as his Broadway debut with The 25th Annual Putnam County Spelling Bee. I’ve worked with him twice: at The Muny doing Seussical and then at TUTS with How to Succeed in Business Without Really Trying. We not only discuss Xanadu and his tenure at TUTS but we also delve into a creative crisis he faced, where he almost quit the business. It’s a candid conversation with one of the most approachable and down to earth directors I’ve ever worked with.

  • INTRO - What he looks for in actors he works with
  • STORY #1 - Landing Spelling Bee after a creative breakdown and giving up
  • STORY #2 - Getting to choreograph Xanadu and then the struggling in previews
  • STORY #3 - Transition from director/choreographer to artistic director/producer

Subscribe to WINMI

Producing this podcast is a rewarding experience, but it's also costly and time-consuming as I’m essentially a one-man operation. By subscribing you’ll be supporting these podcasting efforts, and have access to extended conversations and other bonus content. Whether you subscribe or donate, your financial support of this podcast is greatly appreciated!

  • Subscribe to get access to bonus episodes and extra content
  • Make a one-time Donation to support transcripts and podcast production
  • If you'd like to support WINMI but have limited funds to do so, then contact me directly for reduced-price or even free access to the bonus content.

Follow WINMI: Website | Instagram | Twitter | YouTube

----------

Why I’ll Never Make It is an award-winning, Top Theater Podcast with actor and singer Patrick Oliver Jones and is a production of WINMI Media. Background music is by John Bartmann and Blue Dot Sessions is used under a Creative Commons Attribution-NonCommercial 4.0 International License.

Learn more about your ad choices. Visit megaphone.fm/adchoices

  continue reading

342 episodes

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