In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Heist Film
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Manage episode 437558742 series 1758412
Content provided by Why Theory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Why Theory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ryan and Todd develop their theory of the heist film as a genre, which they see as structured through the opposition between desire and its object. They examine closely Rififi, The Killing, Heat, Ocean's 11, and Inside Man, as well as touching on many other key films of the genre. Hugh Manon's film noir podcast: https://open.spotify.com/show/0aQXewYjXrMtTjwpJ18rg6
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187 episodes
MP3•Episode home
Manage episode 437558742 series 1758412
Content provided by Why Theory. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Why Theory or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Ryan and Todd develop their theory of the heist film as a genre, which they see as structured through the opposition between desire and its object. They examine closely Rififi, The Killing, Heat, Ocean's 11, and Inside Man, as well as touching on many other key films of the genre. Hugh Manon's film noir podcast: https://open.spotify.com/show/0aQXewYjXrMtTjwpJ18rg6
…
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187 episodes
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