Artwork

Content provided by Yan Vinterfeld and Final Draft. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Yan Vinterfeld and Final Draft or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Write On: 'Anatomy of a Fall' Writer/Director Justine Triet

19:14
 
Share
 

Manage episode 381832794 series 79914
Content provided by Yan Vinterfeld and Final Draft. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Yan Vinterfeld and Final Draft or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

“Starting to write a project like this, we always begin with a set of very strong personal desires,” says Anatomy of a Fall writer/director Justine Triet, adding, “I’m quite reticent of scripts that are too clever or that clearly have the intension of disseminating things where information or the person disseminating information has the upper hand over my ability to navigate the narrative.”

The new film Anatomy of a Fall won the Palme d’Or at the recent Cannes Film Festival and could be called Anatomy of a Marriage – at least one that ends in a mysterious tragedy. Set in a remote village in the French Alps – perhaps reminiscent of the hotel in The Shining, frustrated writer Samuel (Samuel Theis), is found dead in the snow beneath his family’s chalet and his wife Sandra (Sandra Hüller), becomes the number one suspect in his suspicious death. In this shocking family drama that moves into a chaotic courtroom, the verdict comes down to the couple’s 11-year-old blind son’s gut-wrenching testimony.

Directed by Justine Triet from a script written by Triet and her own life-partner Arthur Harari, Triet talks about writing the film from an emotional place and not relying on structure or over-used devices like flashbacks to create a deeper sense of mystery.

This film is the best lesson on how to tell a character-driven murder mystery – while keeping the audience guessing – I’ve seen in a long time! Listen to the podcast to go deeper into how Triet crafted the story.

  continue reading

140 episodes

Artwork
iconShare
 
Manage episode 381832794 series 79914
Content provided by Yan Vinterfeld and Final Draft. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Yan Vinterfeld and Final Draft or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

“Starting to write a project like this, we always begin with a set of very strong personal desires,” says Anatomy of a Fall writer/director Justine Triet, adding, “I’m quite reticent of scripts that are too clever or that clearly have the intension of disseminating things where information or the person disseminating information has the upper hand over my ability to navigate the narrative.”

The new film Anatomy of a Fall won the Palme d’Or at the recent Cannes Film Festival and could be called Anatomy of a Marriage – at least one that ends in a mysterious tragedy. Set in a remote village in the French Alps – perhaps reminiscent of the hotel in The Shining, frustrated writer Samuel (Samuel Theis), is found dead in the snow beneath his family’s chalet and his wife Sandra (Sandra Hüller), becomes the number one suspect in his suspicious death. In this shocking family drama that moves into a chaotic courtroom, the verdict comes down to the couple’s 11-year-old blind son’s gut-wrenching testimony.

Directed by Justine Triet from a script written by Triet and her own life-partner Arthur Harari, Triet talks about writing the film from an emotional place and not relying on structure or over-used devices like flashbacks to create a deeper sense of mystery.

This film is the best lesson on how to tell a character-driven murder mystery – while keeping the audience guessing – I’ve seen in a long time! Listen to the podcast to go deeper into how Triet crafted the story.

  continue reading

140 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide