In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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1 - [Patreon Teaser] Chakiris Pizza ft. Jon Dieringer, Caroline Golum, John Klacsmann & C. Spencer Yeh
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Content provided by Screen Slate. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Screen Slate or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Subscribe to our Patreon for all episodes: www.patreon.com/screenslate // Episode 0.5: Chakiris Pizza. Full runtime: 61 min. Featuring Jon Dieringer, Caroline Golum, John Klacsmann, and engineer C. Spencer Yeh. The San Fernando’s own Caroline Golum on Licorice Pizza’s verisimilitude, meeting PTA & Maya Rudolph on the beach, and whether Encino Man is a better Valley movie. Screen Slate editor Jon Dieringer comes clean about his family’s once-proud, now shameful history with the West Side Story legacy. Film archivist John Klacsmann explains 70mm projection and why Licorice Pizza is a terrible film title. C. Spencer Yeh reads the Alamo Drafthouse menu.
The Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.
46 episodes
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Manage episode 318531504 series 3303733
Content provided by Screen Slate. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Screen Slate or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Subscribe to our Patreon for all episodes: www.patreon.com/screenslate // Episode 0.5: Chakiris Pizza. Full runtime: 61 min. Featuring Jon Dieringer, Caroline Golum, John Klacsmann, and engineer C. Spencer Yeh. The San Fernando’s own Caroline Golum on Licorice Pizza’s verisimilitude, meeting PTA & Maya Rudolph on the beach, and whether Encino Man is a better Valley movie. Screen Slate editor Jon Dieringer comes clean about his family’s once-proud, now shameful history with the West Side Story legacy. Film archivist John Klacsmann explains 70mm projection and why Licorice Pizza is a terrible film title. C. Spencer Yeh reads the Alamo Drafthouse menu.
The Screen Slate Podcast is supported by its Patreon members. Sign up and get access to bonus episodes, our lockdown-era streaming series archives, discounts from partners like Criterion and Posteritati, event invitations, and more.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
Mining the depths of film entertainment for all mankind. With Scott Johnson, Brian Dunaway, Randy Jordan, and Brian Ibbott. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
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…
continue reading
We've all seen movies that claim to be 'based on a true story', but have you ever wondered how accurate they are? That's what we'll find out as we compare Hollywood with history.
…
continue reading
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