In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Episode 55: Indiana Jones Dials Up the CGI and Orientalism
Manage episode 367743936 series 2999836
Content provided by Hard NOC Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Hard NOC Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
With Indiana Jones and The Dial of Destiny's release, and taking place in Morocco, we simply have to review it. Our friends Nadia Osman and Zaina Ujayli join us once again to discuss Dial of Destiny, and whether it does better by North African peoples than it did in the past (spoiler alert: not so much.) Why does this keep happening, and why did director James Mangold dive into Orientalism and whitewashing once again? Also, why is there so much GGI? We also discuss the news of the Dune Part Two trailer and how its own appropriation and Orientalism of SWANA and Muslim cultural aspects is part of an ongoing narrative in Hollywood, give our recommendations, and much more!
Read Swara's Feature for The New Arab, 'Can Indiana Jones overcome its Orientalist Past?
Our music is composed by Ashley Hefnawy. You can find more of her music here.
We are a proud member of the Hard NOC podcast family.
Follow Zaina on Twitter @zainaujayli and Nadia @msnadiaosman and on BlueSky @msnadiaosman.
Follow us on Twitter: @TheMiddleGeeks, @MaeAbdu, @spiderswarz, and follow Swara on BlueSky @spiderswarz.
Follow us on Instagram @TheMiddleGeeks
Subscribe to The Middle Geeks on Hard NOC Media
Please support us on Patreon!
74 episodes
Share
Manage episode 367743936 series 2999836
Content provided by Hard NOC Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Hard NOC Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
With Indiana Jones and The Dial of Destiny's release, and taking place in Morocco, we simply have to review it. Our friends Nadia Osman and Zaina Ujayli join us once again to discuss Dial of Destiny, and whether it does better by North African peoples than it did in the past (spoiler alert: not so much.) Why does this keep happening, and why did director James Mangold dive into Orientalism and whitewashing once again? Also, why is there so much GGI? We also discuss the news of the Dune Part Two trailer and how its own appropriation and Orientalism of SWANA and Muslim cultural aspects is part of an ongoing narrative in Hollywood, give our recommendations, and much more!
Read Swara's Feature for The New Arab, 'Can Indiana Jones overcome its Orientalist Past?
Our music is composed by Ashley Hefnawy. You can find more of her music here.
We are a proud member of the Hard NOC podcast family.
Follow Zaina on Twitter @zainaujayli and Nadia @msnadiaosman and on BlueSky @msnadiaosman.
Follow us on Twitter: @TheMiddleGeeks, @MaeAbdu, @spiderswarz, and follow Swara on BlueSky @spiderswarz.
Follow us on Instagram @TheMiddleGeeks
Subscribe to The Middle Geeks on Hard NOC Media
Please support us on Patreon!
74 episodes
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Similar to The Middle Geeks
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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