Insights from Mary Kubica

The Shit No One Tells You About Writing

In today's Books with Hooks, Bianca, Carly and CeCe discuss choosing a unique title for your work; having a strong plot connection between your main characters in a multi POV novel; avoiding situations where the agent has to make too many assumptions in a query; choosing between italics and dialogue tags when having a character talk to themselves; balancing interiority so as not to leak tension; framing your story in a way that is accurate to your work; connecting external stakes to plot points; centering the reader in a memoir query; and CeCe's tension song!

Bianca then interviews NYT bestselling author, Mary Kubica, about her latest novel, She's Not Sorry. The two discuss the thriller genre; readers’ fascination with the domestic suspense genre; how Mary approaches structure and the creation of tension; how personal universal elements can connect readers to characters; tackling the 50% chunk of Act II; writing an 'authentic' twist that doesn't make the reader feel manipulated; strategies for hiding clues in plain sight; and advice for thriller and domestic suspense writers.

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Websites: www.theshitaboutwriting.com, www.biancamarais.com, www.carlywatters.com and www.cecilialyra.com

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More information about Mary can be found at: https://marykubica.com/

She's also on Instagram at https://www.instagram.com/marykubica/ and on Twitter at https://twitter.com/MaryKubica

Carly's course for writers, The Author's Publishing Playbook, is now available at carlywatters.com/course. If you haven't grabbed it yet, podcast listeners can use discount code POD15

To book for CeCe's upcoming Writing Tension Webinar on the 11th of April, go to: https://us02web.zoom.us/webinar/register/WN_B9m5eRJIT_uxiVrUte381g#/registration

Note: Carly Watters and CeCe Lyra are literary agents at P.S. Literary Agency, but their work on this podcast is not affiliated with the agency, and the views expressed by Carly and CeCe on this podcast are solely that of them as podcast co-hosts and do not necessarily reflect the views, opinions, policies, or position of P.S. Literary Agency.

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