Digital Folklore is an immersive audio adventure that takes place inside a fictional universe, but explores the real-world truths behind various expressions of internet culture and how each holds up a mirror to the society from which they emerge. This podcast is great for audio fiction fans who really really want to enjoy interview-based shows, or for listeners who love expert interviews and insights but long for something unique and unexpected. Join Perry Carpenter and Mason Amadeus as they ...
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Alarum and Parley: Military Sounds in Stage Directions
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Manage episode 411319387 series 2248527
Content provided by Cassidy Cash. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cassidy Cash or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In Shakespeare’s lifetime, sound was often relied upon by playwrights to let an audience know a battle was taking place, an army was taking action, or a particular military event was about to occur. Some of these military sound cues are found in the stage directions of Shakespeare's plays when we see him indicate musicians should sound specific pieces. For example, the musicians are directed to “sound a parley” in Coriolanus Act I, and to play an “Alarum to battle” in Henry IV Part I. Here today to share with us the 16th century military history behind these sounds, is our guest Christian Dahl.
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Hosted on Acast. See acast.com/privacy for more information.
223 episodes
MP3•Episode home
Manage episode 411319387 series 2248527
Content provided by Cassidy Cash. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Cassidy Cash or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In Shakespeare’s lifetime, sound was often relied upon by playwrights to let an audience know a battle was taking place, an army was taking action, or a particular military event was about to occur. Some of these military sound cues are found in the stage directions of Shakespeare's plays when we see him indicate musicians should sound specific pieces. For example, the musicians are directed to “sound a parley” in Coriolanus Act I, and to play an “Alarum to battle” in Henry IV Part I. Here today to share with us the 16th century military history behind these sounds, is our guest Christian Dahl.
…
continue reading
Hosted on Acast. See acast.com/privacy for more information.
223 episodes
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