In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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322 - Don't Torture a Duckling (1972)
Manage episode 429507664 series 1127432
Content provided by Brandon Sparks. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brandon Sparks or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"Which would you prefer, a kiss or money?" For Episode 322, David and Brandon continue their Giallo series with Lucio Fulci's DON'T TORTURE A DUCKLING. Listen as they discuss the film's unique location, Fulci's relationship with the cast, and how Disney is connected to the film. Also, don't forget to join our Patreon for more exclusive content: Opening Banter - Brandon and the Rolling Stones - (00:00:10) Recap of the Giallo Month (00:09:25) Intro to Don’t Torture a Duckling (00:11:15) How Don’t Torture a Duckling Got to Production (00:25:53) Favorite Scenes (00:32:48) On Set Life - (00:52:50) Aftermath: Release and Legacy (00:57:38) What Worked and What Didn’t (01:01:45) Film Facts (01:04:15) Awards (01:08:50) Final Questions on the Film (01:11:26) Preview for Next Week (01:18:07) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com
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332 episodes
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Manage episode 429507664 series 1127432
Content provided by Brandon Sparks. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Brandon Sparks or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
"Which would you prefer, a kiss or money?" For Episode 322, David and Brandon continue their Giallo series with Lucio Fulci's DON'T TORTURE A DUCKLING. Listen as they discuss the film's unique location, Fulci's relationship with the cast, and how Disney is connected to the film. Also, don't forget to join our Patreon for more exclusive content: Opening Banter - Brandon and the Rolling Stones - (00:00:10) Recap of the Giallo Month (00:09:25) Intro to Don’t Torture a Duckling (00:11:15) How Don’t Torture a Duckling Got to Production (00:25:53) Favorite Scenes (00:32:48) On Set Life - (00:52:50) Aftermath: Release and Legacy (00:57:38) What Worked and What Didn’t (01:01:45) Film Facts (01:04:15) Awards (01:08:50) Final Questions on the Film (01:11:26) Preview for Next Week (01:18:07) Contact Us: Facebook: @cinenation Instagram: @cinenationpodcast Twitter/X: @CineNationPod TikTok: @cinenation Letterboxd: CineNation Podcast E-mail: cinenationpodcast@gmail.com
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Similar to CineNation
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
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…
continue reading
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…
continue reading
The Ringer’s Mallory Rubin and Jason Concepcion return to take their signature deep dives into the Marvel Cinematic Universe, covering all 23 films!
…
continue reading
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…
continue reading
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continue reading
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continue reading
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…
continue reading
Determining if all these so called classic films are indeed just that.
…
continue reading
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