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What Does Gender Sound Like?

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Archived series ("Inactive feed" status)

When? This feed was archived on September 28, 2022 12:27 (2y ago). Last successful fetch was on August 02, 2022 03:13 (2y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

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Manage episode 206107829 series 32540
Content provided by Bitch Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bitch Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Music interacts with gender in surprising and strange ways: sometimes upholding the binary, sometimes undermining it. In this episode, we’ll talk to three people who’ve thought deeply about that dynamic and come up with their own interpretations of what it all means.

First, we discuss how gender identities are constructed through music with Marcy Nabors, an independent composer. Then we talk to Musicology scholar Emily Masincup about how the musical motifs of the Lord of the Rings trilogy—known sausage fest—helped her enjoy the films on a deeper level. Finally, you’ll hear from Aiden Feltkamp, an opera librettist and producer, about “pants roles” and his fight to make opera more accessible and welcoming for LGBTQIA folks.

SHOUTOUTS

Check out the Bandcamp article Marcy references on the different ways composers are using Vocaloid audio.

For more on Pyotr Tchaikovsky and how sexuality figured into his work, start with this book on his 6th, or Pathétique, Symphony.

And here’s Joni Mitchell on her “sus chords.”

  continue reading

174 episodes

Artwork

What Does Gender Sound Like?

Backtalk

665 subscribers

published

iconShare
 

Archived series ("Inactive feed" status)

When? This feed was archived on September 28, 2022 12:27 (2y ago). Last successful fetch was on August 02, 2022 03:13 (2y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 206107829 series 32540
Content provided by Bitch Media. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Bitch Media or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Music interacts with gender in surprising and strange ways: sometimes upholding the binary, sometimes undermining it. In this episode, we’ll talk to three people who’ve thought deeply about that dynamic and come up with their own interpretations of what it all means.

First, we discuss how gender identities are constructed through music with Marcy Nabors, an independent composer. Then we talk to Musicology scholar Emily Masincup about how the musical motifs of the Lord of the Rings trilogy—known sausage fest—helped her enjoy the films on a deeper level. Finally, you’ll hear from Aiden Feltkamp, an opera librettist and producer, about “pants roles” and his fight to make opera more accessible and welcoming for LGBTQIA folks.

SHOUTOUTS

Check out the Bandcamp article Marcy references on the different ways composers are using Vocaloid audio.

For more on Pyotr Tchaikovsky and how sexuality figured into his work, start with this book on his 6th, or Pathétique, Symphony.

And here’s Joni Mitchell on her “sus chords.”

  continue reading

174 episodes

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