In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Ep. 93: What is the State of Independent Film in 2018?
Manage episode 222031740 series 1758802
Content provided by TIFF Long Take and TIFF (Toronto International Film Festival). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by TIFF Long Take and TIFF (Toronto International Film Festival) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week on TIFF Long Take, Rob and Geoff welcome the VP of Creative Affairs at ‘See Saw Films’, Negin Salmasi. Founded in 2008, the relatively small ‘See Saw’ have punched far above their weight in the increasingly competitive indie film landscape, producing critically and commercially successful films like 'The King’s Speech', and 'Lion', as well as the acclaimed television series 'Top Of The Lake'. Their latest film, 'Widows', directed by Steve McQueen, is playing in theaters now.
Salmasi talks about why making independent films is harder than ever, how she develops projects in the current landscape, and how she’s helped foster long term working relationships with filmmakers like Steve McQueen and Garth Davis
She also discusses why 'See Saw' wanted to get involved in television, why they still believe in the mid-budget film, and how they’ve adapted in the age of Netflix.
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Manage episode 222031740 series 1758802
Content provided by TIFF Long Take and TIFF (Toronto International Film Festival). All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by TIFF Long Take and TIFF (Toronto International Film Festival) or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week on TIFF Long Take, Rob and Geoff welcome the VP of Creative Affairs at ‘See Saw Films’, Negin Salmasi. Founded in 2008, the relatively small ‘See Saw’ have punched far above their weight in the increasingly competitive indie film landscape, producing critically and commercially successful films like 'The King’s Speech', and 'Lion', as well as the acclaimed television series 'Top Of The Lake'. Their latest film, 'Widows', directed by Steve McQueen, is playing in theaters now.
Salmasi talks about why making independent films is harder than ever, how she develops projects in the current landscape, and how she’s helped foster long term working relationships with filmmakers like Steve McQueen and Garth Davis
She also discusses why 'See Saw' wanted to get involved in television, why they still believe in the mid-budget film, and how they’ve adapted in the age of Netflix.
102 episodes
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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