Best Universal Century Timeline Podcasts (2024)

1
Acteurist Oeuvre-view – Lilli Palmer – Part 19: THE HOLCROFT COVENANT (1985) and THE OTHER SIDE OF THE WIND (2018) 1:11:20

33m ago1:11:20

1:11:20

Our final Lilli Palmer Acteurist Oeuvre-view episode is an odd one, with Dave arguing for the value of John Frankenheimer's The Holcroft Covenant (1985), a Nazi conspiracy thriller from a novel by Robert Ludlum, and Elise arguing for the value of The Other Side of the Wind (2018), Orson Welles' startling comeback film-that-never-was. Then we give o…

1
Hollywood Studios Year-by-Year – 20th Century Fox – 1947: BOOMERANG & KISS OF DEATH 1:11:44

4d ago1:11:44

1:11:44

This Fox 1947 Studios Year by Year episode looks at two examples of the docu-noir: Boomerang! (directed by Elia Kazan), starring Dana Andrews as a prosecuting attorney who has to decide between morality and political expedience; and Kiss of Death (directed by Henry Hathaway), in which Victor Mature's sympathetic gangster is menaced by Richard Widma…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 18: LOTTE IN WEIMAR (1975) and THE BOYS FROM BRAZIL (1978) 1:17:13

11d ago1:17:13

1:17:13

Our penultimate Lilli Palmer Acteurist Oeuvre-view episode brings us Lilli as a protagonist again at last, in Lotte in Weimar (1975), based on the Thomas Mann novel, and Lilli Lite in The Boys from Brazil (1978), an outrageous anti-Nazi sci fi story in which Laurence Olivier and Gregory Peck wage an epic battle (and also get into a very brutal girl…

1
Hollywood Studios Year-by-Year – Warner Brothers – 1947: POSSESSED & DARK PASSAGE 1:22:59

18d ago1:22:59

1:22:59

This Warner Bros. 1947 Studios Year by Year episode features two gems that put their own particular slant on noir's familiar theme of murderous conflict between women and men: Curtis Bernhardt's Possessed, starring a more-than-usually deranged Joan Crawford, with Van Heflin as the rakish object of her obsession, and Delmer Daves' Dark Passage, star…

1
Special Subject – Anna Magnani Sampler, Part 2 - THE ROSE TATTOO (1955), WILD IS THE WIND (1957), THE FUGITIVE KIND (1960) and MAMA ROMA (1962) 1:09:02

25d ago1:09:02

1:09:02

Our second Anna Magnani Sampler includes three Hollywood films, two with parts written for her by her friend Tennessee Williams, as well as the second film directed by Pasolini: The Rose Tattoo (1955), Wild is the Wind (1957), The Fugitive Kind (1960), and Mamma Roma (1962). Paired with a wacky Burt Lancaster, a bullying Anthony Quinn, a quietly in…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 17: DE SADE (1969) and THE HOUSE THAT SCREAMED (1969) 49:10

1M ago49:10

49:10

In this episode of our Lilli Palmer Acteur-ist Oeuvre-view series, we watched a couple of 1969 movies somewhere on the horror spectrum: De Sade, a movie of ideas that doesn't live up to them, written by famed horror/sci fi author Richard Matheson; and The House That Screamed, an Italian slasher with a twist or two to recommend it. Good parts for Li…

1
Hollywood Studios Year-by-Year – MGM – 1947: CYNTHIA (dir Robert Z. Leonard) and HIGH WALL (dir. Curtis Bernhardt) 1:12:55

1M ago1:12:55

1:12:55

For this MGM 1947 Studios Year by Year episode, we discuss Cynthia, a gentle family melodrama starring a luminous 15-year-old Elizabeth Taylor as an over-protected teenager, and High Wall, a psychiatric film noir with great roles for Robert Taylor and Herbert Marshall as sweaty noir protagonists at cross purposes. Our Fear and Moviegoing in Toronto…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 16: NOBODY RUNS FOREVER (1968) & HARD CONTRACT (1969) 51:13

2M ago51:13

51:13

After some rocky episodes, our Lilli Palmer Acteurist Oeuvre-view uncovers a couple of gems: Nobody Runs Forever aka The High Commissioner (1968, directed by Ralph Thomas), a spy thriller bursting at the seams with the charms of Rod Taylor and Christopher Plummer, and Hard Contract (1969, the only feature film made by writer-director S. Lee Pogosti…

1
Hollywood Studios Year-by-Year – Paramount – 1947: CALIFORNIA and CALCUTTA 48:58

2M ago48:58

48:58

For this Paramount 1947 Studios Year by Year episode we watch a couple of films by producer/director team of Seton I. Miller and John Farrow: California, starring the belligerent sexual tension of Barbara Stawyck and Ray Milland in a left-leaning fable about the establishment of law and order in the West Coast, and Calcutta, a terrific Alan Ladd/Ga…

1
Special Subject – The Wartime Mizoguchi – THE STORY OF THE LAST CHRYSANTHEMUM (1939) & THE 47 RONIN (1941) 1:08:50

2M ago1:08:50

1:08:50

For our June Special Subject we revisit the work of Kenji Mizoguchi, looking at two films from earlier than his best-known (in the West) period: The Story of the Last Chrysanthemums (1939), about cross-class lovers and what it takes to become a great artist, and The 47 Ronin (1941), based on a true story that became emblematic of samurai values. To…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 15: SEBASTIAN (1968) & OEDIPUS THE KING (1968) 1:00:20

2M ago1:00:20

1:00:20

This week's Lilli Palmer Acteurist Oeuvre-view sees Lilli in two small but crucial roles: Sebastian (1968), starring Dirk Bogarde as a Cold War cryptanalyst of divided political loyalties, and Oedipus Rex (1968), starring Christopher Plummer as Freud's favourite plaything of the gods. We discuss Cold War politics, the Swinging Sixties New Woman, fr…

1
Hollywood Studios Year-by-Year – Universal – 1946: THE CAT CREEPS & SHE-WOLF OF LONDON 42:21

2M ago42:21

42:21

For this Universal 1946 episode, we chose a B-movie double bill, The Cat Creeps (directed by Erle C. Kenton, best known for Island of Lost Souls) and She-Wolf of London (directed by Jean Yarbrough, Abbott and Costello specialist), hoping for hidden gems. But did we find any? And in the Fear and Moviegoing in Toronto segment, our Powell and Pressbur…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 14: MIRACLE OF THE WHITE STALLIONS (1963) and OPERATION CROSSBOW (1965) 46:38

3M ago46:38

46:38

In this week's Lilli Palmer Acteurist Oeuvre-view episode, we encounter more Nazis in a couple of movies very loosely based on real WWII incidents: Disney's Miracle of the White Stallions (1963), based on Operation Cowboy (but with the equine eugenics shoved into the subtext), and Operation Crossbow (1965), about the attempt by British Intelligence…

1
Special Subject – Produced By Sam Goldwyn, The 1940s: THE LITTLE FOXES (1941), THE PRIDE OF THE YANKEES (1942), THE BEST YEARS OF OUR LIVES (1946), and MY FOOLISH HEART (1949) 1:30:39

3M ago1:30:39

1:30:39

This week we have a whopping big episode for you: Part 2 of our look at Samuel Goldwyn Productions, dealing with the 1940s; and, in our Fear and Moviegoing in Toronto segment, brief discussions of three Powell and Pressburgers, kicking off TIFF's May retrospective. For this episode we watched The Little Foxes (directed by William Wyler), The Pride …

1
Hollywood Studios Year-by-Year – RKO – 1946: STEP BY STEP & CRACK-UP 48:57

3M ago48:57

48:57

In this RKO 1946 episode we discuss Crack-Up (directed by Irving Reis), an eerie noir with a couple of great Expressionist set pieces. Pat O'Brien oozes vulnerability as a WWII vet and populist art critic who has to find out who's trying to make him look, or go, insane; Claire Trevor plays the love interest who's trying to help him (or is she?). Oh…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 13: THE PLEASURE OF HIS COMPANY (1961) & THE COUNTERFEIT TRAITOR (1962) 59:54

3M ago59:54

59:54

This week's Lilli Palmer Acteurist Oeuvre-view episode is a George Seaton double feature that once again gives us Lilli the sophisticate and Lilli the saint: in The Pleasure of His Company (1961), she plays the ex-wife of Fred Astaire, an absentee father whose plan to recapture his youth by seducing their daughter into becoming his travelling compa…

1
Hollywood Studios Year-by-Year – 20th Century-Fox – 1946: THE DARK CORNER & THE RAZOR’S EDGE 1:22:27

4M ago1:22:27

1:22:27

This week's Fox 1946 Studios Year by Year episode features the strange bedfellows of Henry Hathaway's The Dark Corner, a curiously feminist film noir in which the tormented protagonist is saved by the persistence of a good woman (played by Lucille Ball), and Edmund Goulding's The Razor's Edge, based on a Somerset Maugham novel about spiritual enlig…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 12: BUT NOT FOR ME (1959) and CONSPIRACY OF HEARTS (1960) 51:27

4M ago51:27

51:27

Our examination of the film career of Lilli Palmer continues with a couple of excellent films that show us Palmer's range when playing "loveable": But Not for Me, in which she gives a comedic performance as the ex-wife of a Broadway producer played by Clark Gable, benevolently interfering in his budding relationship with young actress Carroll Baker…

1
Hollywood Studios Year-by-Year – Warner Brothers – 1946: DEVOTION & NIGHT AND DAY 1:20:00

4M ago1:20:00

1:20:00

For this Warner Bros. 1946 episode we watched two fantastical biopics, Devotion (directed by Curtis Bernhardt), starring Ida Lupino and Olivia de Havilland as Emily and Charlotte Brontë, and Night and Day (directed by Michael Curtiz), starring Cary Grant as Cole Porter and Monty Woolley as himself. We found them to be like night and day in terms of…

1
Special Subject – Produced By Sam Goldwyn, The 1930s - THE DARK ANGEL (1935), DODSWORTH (1936), THESE THREE (1936) and WUTHERING HEIGHTS (1939) 1:34:20

4M ago1:34:20

1:34:20

In our April Special Subject, Part 1 of our look at the films of Samuel Goldwyn, we discuss Dark Angel (1935), These Three (1936), Dodsworth (1936), and Wuthering Heights (1939), a selection heavy on Dave favourites Merle Oberon, William Wyler, and Gregg Toland. We ask in what sense these are "quality" films, and in what ways they escape our expect…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 11: LES AMANTS DE MONTPARNASSE (1958) and MADCHEN IN UNIFORM (1958) 1:05:05

5M ago1:05:05

1:05:05

For this week's Lilli Palmer Acteurist Oeuvre-view episode, we watched Jacques Becker's The Lovers of Montparnasse (1958), in which Palmer, playing Modigliani's rejected lover Beatrice Hastings, perfects her persona of brittle dissociation; and Mädchen in Uniform, the 1958 remake of the famous Weimar-era film about a teenager at an all-girls' board…

1
Hollywood Studios Year-by-Year – MGM – 1946: TWO SMART PEOPLE and A LETTER FOR EVIE 1:01:33

5M ago1:01:33

1:01:33

This MGM 1946 Studios Year by Year episode is a Jules Dassin double feature that shows the range of the famed blacklistee even during his most constrained studio period: the noirish romantic drama Two Smart People, about two con artists (Lucille Ball and John Hodiak) and a cop who are all out to con each other; and the remarkable A Letter for Evie …

1
Acteurist Oeuvre-view – Lilli Palmer – Part 10: TEUFEL IN SEIDE (1956) and LA VIE À DEUX (1958) 1:17:05

5M ago1:17:05

1:17:05

For this Lilli Palmer episode of our Acteurist Oeuvre-view series, we watched another West German movie, Devil in Silk (directed by Rolf Hansen), and Life Together (directed by Clément Duhour), a tribute to famed French playwright, screenwriter, and film director Sacha Guitry with an all-star cast. We analyze the surprisingly sophisticated structur…

1
Hollywood Studios Year-by-Year – Paramount – 1946: MISS SUSIE SLAGLE’S and THE BLUE DAHLIA 1:04:25

5M ago1:04:25

1:04:25

In this Paramount 1946 episode we look at two movies featuring Veronica Lake which otherwise could not be more dissimilar: Miss Susie Slagle's (directed by John Berry), about the trials of pre-WWI Johns Hopkins medical students living in a boarding house presided over by Lillian Gish; and famous Lake/Ladd noir outing, The Blue Dahlia (directed by G…

1
Hollywood Studios Year-by-Year – Universal – 1945: THE SUSPECT & LADY ON A TRAIN 49:28

6M ago49:28

49:28

In this Universal 1945 episode of The Hollywood Studios Year-by-Year, we look at a couple of noir-adjacent films, Robert Siodmak's The Suspect, starring Charles Laughton as an abused husband who looks for a way out of his miserable marriage when he meets sweet and lovely Ella Raines, and the comedy/crime film Lady on a Train, which stars Deanna Dur…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 9: MAIN STREET TO BROADWAY (1953) and FEUERWERK (1954) 51:52

6M ago51:52

51:52

In this Lilli Palmer Acteurist Oeuvre-view episode, we discuss Tay Garnett's Main Street to Broadway (1953), a pleasant curiosity with an all-star New York theatre cast, including Palmer and Rex Harrison in a brief sandwich-themed couple cameo, but nearly stolen by Lynchian radio humourist Herb Shriner; and Fireworks (1954), Palmer's first German f…

1
Hollywood Studios Year-by-Year – RKO – 1945: JOHNNY ANGEL & CORNERED 58:14

6M ago58:14

58:14

For this RKO 1945 episode, two beautifully filmed noirs (by Harry J. Wild), Edwin L. Marin's Johnny Angel, another noir with a femme fatale (Claire Trevor) who loves too much (and gets a very unexpected - and gory - redemption), and Edward Dmytryk's Cornered, in which Dick Powell learns why you shouldn't hunt down Nazis and kill them with your bare…

1
Valentine’s Special Subject – MARNIE (1964) & LA CAPTIVE (2000) 1:24:43

6M ago1:24:43

1:24:43

For our Valentine's 2024 episode we looked at two movies about obsession that interrogate the notion of romantic love: Alfred Hitchcock's Marnie (1964) and Chantal Akerman's La Captive (2000). If you think an extensive discussion of sexual assault and of what it would mean to be "pressed to death" by your partner's love sounds like essential Valent…

1
Behind the Scenes of Gundam Sentinel 27:31

6M ago27:31

27:31

Have you ever wondered what Katoki, Takahashi and Asano were thinking as they made Sentinel? What were their influences? What did they think of the world of Gundam? And what is Stream Base and why is it so important to the world of Gundam? This episode will delve in and try to answer these burning questions. Gundam Sentinel Podcast aka #gundambookc…

1
Hollywood Studios Year-by-Year – 20th Century Fox – 1945: FALLEN ANGEL & LEAVE HER TO HEAVEN 1:12:53

6M ago1:12:53

1:12:53

Our Fox 1945 episode features two of the greatest and greatest-looking film noirs: Otto Preminger's Fallen Angel and John M. Stahl's Leave Her to Heaven. We unpack the movies' love triangles, in which two strong-willed women exert their influence over a passive man; their treatment of the topics of love and obsession; the unique cinematic qualities…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 8: THE LONG DARK HALL (1951) and THE FOUR POSTER (1952) 1:00:27

7M ago1:00:27

1:00:27

For this week's Acteurist Oeuvre-view episode we watched two films pairing acteur Lilli Palmer with then-husband Rex Harrison. We discuss the potential relationship of thriller/courtroom drama The Long Dark Hall (1951) to the scandal plaguing their marriage at the time and consider The Four Poster (1952) as a "marriage film," and what it has to say…

1
Special Subject- Silent Ozu Sampler – TOKYO CHORUS (1931), I WAS BORN BUT… (1932), and PASSING FANCY (1933) 1:04:49

7M ago1:04:49

1:04:49

For our January Special Subject, we look at three silent "family comedies" by Ozu, Tokyo Chorus (1931), I Was Born, But... (1932), and Passing Fancy (1933), although we argue that "comedy" doesn't entirely encompass the emotional range of these films. We argue that the melancholy of late Ozu is already discernible in these tales of father-son confl…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 7: MY GIRL TISA (1948), NO MINOR VICES (1948) and HANS LE MARIN (1949) 1:03:56

7M ago1:03:56

1:03:56

This Lilli Palmer Acteurist Oeuvre-view episode tackles two more films made with leftist colleagues, Elliott Nugent's My Girl Tisa, a Popular Front-style tale of early 20th century immigrants and the American Dream, and Lewis Milestone’s quirky, stylistically inventive comedy No Minor Vices (written by Arnold Manoff). We also watched François Villi…

1
Hollywood Studios Year-by-Year – Warner Brothers – 1945: SARATOGA TRUNK & DANGER SIGNAL 59:53

7M ago59:53

59:53

For this round of Warner Bros. 1945, we take on a very successful movie with two very big stars and one very terrible reputation, Saratoga Trunk, with Ingrid Bergman and Gary Cooper, and a fascinating little B noir, Danger Signal, with Zachary Scott being his usual cheeky self and getting women upset. We discuss the stylistic risks of Saratoga Trun…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 6: CLOAK AND DAGGER (1946) and BODY AND SOUL (1947) + Fear and Moviegoing in Toronto, Ernst Lubitsch at TIFF Cinémathèque, Part 3 1:12:53

8M ago1:12:53

1:12:53

In this Lilli Palmer Acteurist Oeuvre-view episode, we discuss Palmer's first two Hollywood films, Fritz Lang's anti-fascist spy drama, Cloak and Dagger (1946), and Robert Rossen's socially critical boxing noir, Body and Soul (1947). We dig into the social context of these films, asking why these progressive writers and directors wanted to tell the…

1
Special Subject – Have Yourself a Monty Woolley Christmas – THE MAN WHO CAME TO DINNER (1942), LIFE BEGINS AT EIGHT-THIRTY (1942) and THE BISHOP’S WIFE (1947) + Fear & Moviegoing in Toronto 1:04:01

8M ago1:04:01

1:04:01

For our December 2023 Special Subject, we're having ourselves a Monty Woolley Christmas! We look at three Christmas-adjacent movies from the 1940s featuring the anti-Santa in roles big and small: The Man Who Came to Dinner, in which he stars as waspish radio personality Sheridan Whiteside, who takes over the home of a bourgeois Middle American coup…

1
Hollywood Studios Year-by-Year – MGM – 1945: THE CLOCK & YOLANDA AND THE THIEF + FEAR AND MOVIEGOING IN TORONTO – Ernst Lubitsch retrospective at TIFF Cinémathèque, Part I 1:18:36

8M ago1:18:36

1:18:36

In this week's MGM 1945 episode, a Vincente Minnelli double feature: The Clock, a wartime romantic drama with two very intense stars, Judy Garland and Robert Walker, that doubles as a love poem to New York City; and a Technicolor musical fantasy about, in Dave's words (more or less), "A woman who wants to bleep an angel," starring Lucille Bremer as…

1
Gundam Sentinel vs 21st Century Artificial Intelligence 18:45

8M ago18:45

18:45

Gundam Sentinel delved into various themes including what defines sentience. A.L.I.C.E. is the AI that was developed and incorporated by the EFF into the design of Superior Gundam. Recent developments in machine learning are available on cell phones and personal computers including machine learning. Now, consumers can access large language models (…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 5: THE RAKE’S PROGRESS (1945) and BEWARE OF PITY (1946) 1:13:20

8M ago1:13:20

1:13:20

In this Lilli Palmer Acteurist Oeuvre-view episode we take a look at a Lilli Palmer who's (mostly) new to us, Lilli the victim: the victim of self-destructive womanizer Rex Harrison (Palmer's real-life husband) in Launder and Gilliat's enigmatic social satire The Rake's Progress (1945), and the self-destructive paralysis victim of Beware of Pity (1…

1
Hollywood Studios Year-by-Year – Paramount – 1945: THE MAN IN HALF MOON STREET & SALTY O’ROURKE 54:08

9M ago54:08

54:08

For this Paramount 1945 episode, we look at a couple of male melodramas: The Man in Half Moon Street, a Gothic B-movie starring Nils Asther, "the most beautiful man who ever lived," according to Elise, as a scientist who becomes unscrupulous in his pursuit of eternal youth, and Salty O'Rourke, a Raoul Walsh-directed hit starring Alan Ladd as a race…

1
Special Subject - Silent Proto-Noirvember with Ozu – WALK CHEERFULLY (1930), THAT NIGHT’S WIFE (1930) and DRAGNET GIRL (1933) + Fear & Moviegoing in Toronto: KILLERS OF THE FLOWER MOON (2023) 1:11:11

9M ago1:11:11

1:11:11

For our Ozu Noir-vember Special Subject, we look at three silent films by Yasujirō Ozu, Walk Cheerfully (1930), That Night's Wife (1930), and Dragnet Girl (1933), that not only bear a fascinating relationship to each other but also seemingly inaugurate the gangster film in Japan and anticipate (we argue) American film noir more closely even than Fr…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 4: THUNDER ROCK (1942), THE GENTLE SEX (1943) & ENGLISH WITHOUT TEARS (1944) 1:21:46

9M ago1:21:46

1:21:46

We dig into some substantial British cinema offerings in a Lilli Palmer Acteurist Oeuvre-view episode that's heavy on wartime themes: Thunder Rock (1942), a philosophical examination of the disillusionment of a leftist; dramatically illustrated in a surprising way; The Gentle Sex (1943), Leslie Howard's eccentric and affecting semi-documentary abou…

1
Hollywood Studios Year-by-Year – Universal – 1944: WEIRD WOMAN & COBRA WOMAN 1:03:11

9M ago1:03:11

1:03:11

We weren't sure what to expect with our Universal 1944 "scary woman"-themed episode, but Cobra Woman, starring the riveting Maria Montez, delivered, and the completely unknown Weird Woman, starring the less-than-riveting Lon Chaney Jr., was a surprise gem that seems to be nodding to Val Lewton's work at RKO. This episode causes us to ask such quest…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 3: A GIRL MUST LIVE (1939) & THE DOOR WITH SEVEN LOCKS (1940) 44:42

9M ago44:42

44:42

This week's Acteurist-Oeuvre-view shows us two sides of Lilli Palmer: Bad Lilli in a comic supporting role, brawling with fellow chorus girl Renée Houston and competing with a demure Margaret Lockwood over wealthy patrons in Carol Reed's A Girl Must Live (1939); and Good Lilli assuming the lead in B-mystery The Door with Seven Locks (1940), seeking…

1
Special Subject – Heavy Metalious Hallowe’en – Peyton Place (Novel), PEYTON PLACE (1957) & PEYTON PLACE TV series 1:20:21

10M ago1:20:21

1:20:21

For our Halloween 2023 episode, we take you on a tour of Peyton Place—the 1956 novel by Grace Metalious, 1957 Fox movie starring Lana Turner, and the mid-late-60s TV series starring Dorothy Malone and Mia Farrow (among many others) that reinvented television. We discuss the strange journey of Metalious's scabrous and scathing vision from satire to …

1
Hollywood Studios Year-by-Year – RKO – 1944: PASSPORT TO DESTINY & NONE BUT THE LONELY HEART 45:49

10M ago45:49

45:49

This week's RKO 1944 episode brings a Hollywood slant to an English working-class perspective on the war. In her only first-billed feature film role, in Passport to Destiny, Elsa Lanchester plays an indomitable charwoman who embarks upon a self-appointed mission to assassinate Hitler after coming to believe that she's magically protected, while in …

1
Acteurist Oeuvre-view – Lilli Palmer – Part 2: COMMAND PERFORMANCE (1937) & CRACKERJACK (1938) 46:23

10M ago46:23

46:23

Our second Lilli Palmer Acteurist Oeuvre-view episode sees the rising young star second-billed as the love interest in a couple of strange enterprises: Command Performance (1937), a vehicle for popular American tenor Arthur Tracy, and Crackerjack (1938), an unhinged crime comedy starring Aldwych farces alumnus Tom Walls as a criminal superhero. As …

1
Hollywood Studios Year-by-Year – 20th Century Fox – 1944: THE EVE OF ST. MARK & IN THE MEANTIME, DARLING 1:00:07

10M ago1:00:07

1:00:07

Our Fox 1944 episode features a prestige production, The Eve of St. Mark, based on a Maxwell Anderson play and directed by John Stahl, and a modest marital drama, In the Meantime, Darling, directed by Otto Preminger just before he makes a name for himself in noir with Laura. Between the two, the problems facing the men at the front and the women wh…

1
Acteurist Oeuvre-view – Lilli Palmer – Part 1: CRIME UNLIMITED (1935), SECRET AGENT (1936), and THE GREAT BARRIER (1937) 55:09

11M ago55:09

55:09

In our first Lilli Palmer Acteurist Oeuvre-view episode, we spend some time with Lilli in England and take in her screen debut, in the "Quota Quickie" Crime Unlimited (1935); her small role in Hitchcock's eccentric Secret Agent (1936), in which she gets to play with an unhinged Peter Lorre; and a thankless role in a lyrical ode to Canadian nation-b…

1
Special Subject - Stanley Cavell’s Pursuits of Happiness + THE AWFUL TRUTH (1937), HIS GIRL FRIDAY (1940) & ADAM'S RIB (1949) 1:43:21

11M ago1:43:21

1:43:21

This Special Subject is something extra-special: we discuss philosopher Stanley Cavell's idiosyncratic classic of film criticism, Pursuits of Happiness: The Hollywood Comedy of Remarriage and three classic comedies that are the subjects of essays in that book, Leo McCarey's The Awful Truth, Howard Hawks' His Girl Friday, and George Cukor's Adam's R…

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