Artwork

Content provided by Chart Beats. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Chart Beats or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Player FM - Podcast App
Go offline with the Player FM app!

Ep 72: Make This A Special Night to So Proud Of You

1:07:33
 
Share
 

Manage episode 419134942 series 2921166
Content provided by Chart Beats. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Chart Beats or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Late in 1991, PWL was trying all sorts of things to get back in the charts on a regular basis, including working with '80s funk/soul band Cool Notes. Single "Make This A Special Night" harked back to some of SAW's earliest releases when they dabbled in R&B — and was one of several tracks recorded with the group, which was now a trio. Singer Lauraine McIntosh talks about Cool Notes' progression from reggae outfit to commercially successful soul group with mid-'80s hits "Spend The Night" and "In Your Car" — and the downturn in popularity that followed. She reveals the never-before-discussed story behind her 1988 guest vocal on "Don't Make Me Wait" by Bomb The Bass and how she wound up as a session singer at PWL, which led to Cool Notes' deal. Meanwhile, Kylie Minogue was also taken in a more soulful direction with "If You Were With Me Now", her big ballad duet with R&B sensation Keith Washington. Former PWL engineer Pete Day shares his memories of recording with Keith and we discuss the song's video and promotion, including the approach Kylie's Australian record company took with the single. Former Yell! member Paul Varney returned to PWL as a solo artist, but it seems the company didn't quite know what to do with him, almost releasing Kenny Thomas-esque track "If Only I Knew" before opting for the more pop-influenced "So Proud Of You", with both tracks ending up having a connection with the work of in-demand house producer and remixer Steve "Silk" Hurley. Paul talks about the back-and-forth situation with his two solo tracks and his subsequent musical projects, including writing Precious's 1999 Eurovision entry, "Say It Again".

Support the Show.

Subscribe for bonus material at chartbeats.com.au/saw
Twitter: @ChartBeatsAU, @MrMattDenby
Instagram: @chartbeatsau
Facebook: Chart Beats: A Journey Through Pop
Email: chartbeats.au@gmail.com

  continue reading

77 episodes

Artwork
iconShare
 
Manage episode 419134942 series 2921166
Content provided by Chart Beats. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Chart Beats or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Late in 1991, PWL was trying all sorts of things to get back in the charts on a regular basis, including working with '80s funk/soul band Cool Notes. Single "Make This A Special Night" harked back to some of SAW's earliest releases when they dabbled in R&B — and was one of several tracks recorded with the group, which was now a trio. Singer Lauraine McIntosh talks about Cool Notes' progression from reggae outfit to commercially successful soul group with mid-'80s hits "Spend The Night" and "In Your Car" — and the downturn in popularity that followed. She reveals the never-before-discussed story behind her 1988 guest vocal on "Don't Make Me Wait" by Bomb The Bass and how she wound up as a session singer at PWL, which led to Cool Notes' deal. Meanwhile, Kylie Minogue was also taken in a more soulful direction with "If You Were With Me Now", her big ballad duet with R&B sensation Keith Washington. Former PWL engineer Pete Day shares his memories of recording with Keith and we discuss the song's video and promotion, including the approach Kylie's Australian record company took with the single. Former Yell! member Paul Varney returned to PWL as a solo artist, but it seems the company didn't quite know what to do with him, almost releasing Kenny Thomas-esque track "If Only I Knew" before opting for the more pop-influenced "So Proud Of You", with both tracks ending up having a connection with the work of in-demand house producer and remixer Steve "Silk" Hurley. Paul talks about the back-and-forth situation with his two solo tracks and his subsequent musical projects, including writing Precious's 1999 Eurovision entry, "Say It Again".

Support the Show.

Subscribe for bonus material at chartbeats.com.au/saw
Twitter: @ChartBeatsAU, @MrMattDenby
Instagram: @chartbeatsau
Facebook: Chart Beats: A Journey Through Pop
Email: chartbeats.au@gmail.com

  continue reading

77 episodes

All episodes

×
 
Loading …

Welcome to Player FM!

Player FM is scanning the web for high-quality podcasts for you to enjoy right now. It's the best podcast app and works on Android, iPhone, and the web. Signup to sync subscriptions across devices.

 

Quick Reference Guide