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Music and the Absolute [Audio]

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Archived series ("Inactive feed" status)

When? This feed was archived on August 26, 2020 20:08 (4y ago). Last successful fetch was on July 25, 2020 09:18 (4y ago)

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Manage episode 180865641 series 1455787
Content provided by LSE Film and Audio Team, London School of Economics, and Political Science. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by LSE Film and Audio Team, London School of Economics, and Political Science or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Speaker(s): Nimrod Borenstein and Professor Adrian Moore | In the film Amadeus, Mozart remarks that ‘his composition has the exact amount of notes’, hinting at some kind of Absolute. For contemporary composer Nimrod Borenstein, there is only one solution: the right number of notes at the right place, as if his music had always existed. Are there philosophical arguments that support such claims? We bring together a composer, a pianist, a piano, and a philosopher to explore this question. With acclaimed performances of his music throughout Europe, the USA, Canada, Australia and Japan, Nimrod Borenstein has achieved a remarkable feat: establishing himself as one of the leading composers of his generation on the strength of a music that internationally leading instrumentalists and orchestras love to perform and that audiences love to hear. Adrian Moore is Professor of Philosophy, St Hugh’s College, University of Oxford. With her combination of colourful Brazilian spirit and musicianship, London based pianist Clelia Iruzun is one of the most exciting musicians to emerge onto the international scene in recent years. Graduated at the Royal Academy of Music with the coveted Recital Diploma, Clelia performs throughout Europe, the Americas and Asia. Her 13 CDs, with a variety of repertoire ranging from Latin-American composers to the Mendelssohn concerts, have been praised by the critics and the public. Catherine Audard is Visiting Fellow at LSE and Chair of the Forum. Just economics and politics? Think again. While LSE does not teach arts or music, there is a vibrant cultural side to the School - from weekly free music concerts in the Shaw Library, and an LSE orchestra and choir with their own professional conductors, various film, art and photographic student societies, the annual LSE photo prize competition, the LSE Literary Festival and artist-in-residence projects. For more information please view the LSE Arts website. The Forum for European Philosophy (@ForumPhilosophy) is an educational charity that organises a full and varied programme of philosophy and interdisciplinary events in the UK.
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4525 episodes

Artwork
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Archived series ("Inactive feed" status)

When? This feed was archived on August 26, 2020 20:08 (4y ago). Last successful fetch was on July 25, 2020 09:18 (4y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 180865641 series 1455787
Content provided by LSE Film and Audio Team, London School of Economics, and Political Science. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by LSE Film and Audio Team, London School of Economics, and Political Science or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Speaker(s): Nimrod Borenstein and Professor Adrian Moore | In the film Amadeus, Mozart remarks that ‘his composition has the exact amount of notes’, hinting at some kind of Absolute. For contemporary composer Nimrod Borenstein, there is only one solution: the right number of notes at the right place, as if his music had always existed. Are there philosophical arguments that support such claims? We bring together a composer, a pianist, a piano, and a philosopher to explore this question. With acclaimed performances of his music throughout Europe, the USA, Canada, Australia and Japan, Nimrod Borenstein has achieved a remarkable feat: establishing himself as one of the leading composers of his generation on the strength of a music that internationally leading instrumentalists and orchestras love to perform and that audiences love to hear. Adrian Moore is Professor of Philosophy, St Hugh’s College, University of Oxford. With her combination of colourful Brazilian spirit and musicianship, London based pianist Clelia Iruzun is one of the most exciting musicians to emerge onto the international scene in recent years. Graduated at the Royal Academy of Music with the coveted Recital Diploma, Clelia performs throughout Europe, the Americas and Asia. Her 13 CDs, with a variety of repertoire ranging from Latin-American composers to the Mendelssohn concerts, have been praised by the critics and the public. Catherine Audard is Visiting Fellow at LSE and Chair of the Forum. Just economics and politics? Think again. While LSE does not teach arts or music, there is a vibrant cultural side to the School - from weekly free music concerts in the Shaw Library, and an LSE orchestra and choir with their own professional conductors, various film, art and photographic student societies, the annual LSE photo prize competition, the LSE Literary Festival and artist-in-residence projects. For more information please view the LSE Arts website. The Forum for European Philosophy (@ForumPhilosophy) is an educational charity that organises a full and varied programme of philosophy and interdisciplinary events in the UK.
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