In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Cinemaball 04: Louder Than Bombs (2015)
Manage episode 237824844 series 2521661
Content provided by Feminist Frequency, Ebony Aster, and Carolyn Petit. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Feminist Frequency, Ebony Aster, and Carolyn Petit or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
On this week’s Cinemaball, Ebony and Carolyn discuss the complex family drama Louder Than Bombs, which stars the captivating actor Gabriel Byrne as Gene, a man still trying to fully process the death of his wife, war photographer Isabelle. His sons, high-schooler Conrad and professor Jonah (played by Jesse Eisenberg) each have their own struggles, and over the course of the film we gain insight into the different meaning that Isabelle had for each of them.
Our conversation touches on what makes Gabriel Byrne such a fascinating actor, the use of video games as an easy shorthand for “this kid is troubled,” the prioritization of the inner lives of white men over just about anyone else as a pattern in cinema, and the ways in which photography works as a metaphor in the context of the film’s narrative. In the end, Ebony announces our next film, and the selection makes Carolyn very, very happy.
View the basic rules of Cinemaball and a history of all episodes at goo.gl/ePDPuQ
16 episodes
Share
Manage episode 237824844 series 2521661
Content provided by Feminist Frequency, Ebony Aster, and Carolyn Petit. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Feminist Frequency, Ebony Aster, and Carolyn Petit or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
On this week’s Cinemaball, Ebony and Carolyn discuss the complex family drama Louder Than Bombs, which stars the captivating actor Gabriel Byrne as Gene, a man still trying to fully process the death of his wife, war photographer Isabelle. His sons, high-schooler Conrad and professor Jonah (played by Jesse Eisenberg) each have their own struggles, and over the course of the film we gain insight into the different meaning that Isabelle had for each of them.
Our conversation touches on what makes Gabriel Byrne such a fascinating actor, the use of video games as an easy shorthand for “this kid is troubled,” the prioritization of the inner lives of white men over just about anyone else as a pattern in cinema, and the ways in which photography works as a metaphor in the context of the film’s narrative. In the end, Ebony announces our next film, and the selection makes Carolyn very, very happy.
View the basic rules of Cinemaball and a history of all episodes at goo.gl/ePDPuQ
16 episodes
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Similar to Cinemaball
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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