In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Cinemaball 07: The China Syndrome (1979)
Manage episode 209027723 series 2249992
Content provided by Feminist Frequency, Ebony Aster, and Carolyn Petit. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Feminist Frequency, Ebony Aster, and Carolyn Petit or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week on Cinemaball, Ebony and Carolyn endure the nail-biting tension of the 1979 nuclear disaster thriller, The China Syndrome! We discuss the ways in which the film taps into very real concerns of the period about the safety of nuclear power, the ways in which TV news can be a tool of corporate propaganda or a force for justice (yes, it’s about ethics in journalism), and how it functions as a critique of capitalism run amok. We applaud the film’s authentic little observations about TV news production, as well as Jack Lemmon’s wonderful performance. In a new segment called Sommovier, Caro and Ebony each suggest fine films with which you could pair The China Syndrome to make for a great double feature. Finally, Carolyn excitedly reveals what we’ll be discussing on next week’s show. It’s gonna be a good one.
View the basic rules of Cinemaball and a history of all episodes and ratings at goo.gl/ePDPuQ
16 episodes
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Manage episode 209027723 series 2249992
Content provided by Feminist Frequency, Ebony Aster, and Carolyn Petit. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Feminist Frequency, Ebony Aster, and Carolyn Petit or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week on Cinemaball, Ebony and Carolyn endure the nail-biting tension of the 1979 nuclear disaster thriller, The China Syndrome! We discuss the ways in which the film taps into very real concerns of the period about the safety of nuclear power, the ways in which TV news can be a tool of corporate propaganda or a force for justice (yes, it’s about ethics in journalism), and how it functions as a critique of capitalism run amok. We applaud the film’s authentic little observations about TV news production, as well as Jack Lemmon’s wonderful performance. In a new segment called Sommovier, Caro and Ebony each suggest fine films with which you could pair The China Syndrome to make for a great double feature. Finally, Carolyn excitedly reveals what we’ll be discussing on next week’s show. It’s gonna be a good one.
View the basic rules of Cinemaball and a history of all episodes and ratings at goo.gl/ePDPuQ
16 episodes
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Similar to Cinemaball
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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