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Content provided by Lance Weiler and Columbia University School of the Arts' Digital Storytelling Lab. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Lance Weiler and Columbia University School of the Arts' Digital Storytelling Lab or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Exploring Curation, Funding & Exhibition Models for Immersive Storytelling

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Manage episode 229058259 series 2447067
Content provided by Lance Weiler and Columbia University School of the Arts' Digital Storytelling Lab. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Lance Weiler and Columbia University School of the Arts' Digital Storytelling Lab or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Getting an immersive project that mixes story and code up and running is challenging. Often the work represents something that is new and can be difficult to explain. The learning curve for potential funders and prospective audiences can be steep. Not to mention the design, production and exhibition can be costly. As the interest in experiential work is on the rise there is an opportunity to discuss and examine ethical and sustainable funding models for storytellers who are pushing at the edges of new narrative forms and functions. At the same time, an ever-shifting digital landscape makes it difficult for the work to live beyond a limited run and/or to be archived.

The following episode of Columbia DSL's Sandbox was recorded live at the Film Society of Lincoln Center. The topic of discussion "Exploring Curation, Funding & Exhibition Models for Immersive Storytelling" Our guests for the evening where Regina Harsanyi (Wallplay) and Neil Carty (The Carty Group), Jae Lee & Yvonne Nai-wen Chang (Wildrence). Co-hosted by Columbia DSL's Lance Weiler & Nick Fortugno.

  continue reading

6 episodes

Artwork
iconShare
 
Manage episode 229058259 series 2447067
Content provided by Lance Weiler and Columbia University School of the Arts' Digital Storytelling Lab. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Lance Weiler and Columbia University School of the Arts' Digital Storytelling Lab or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Getting an immersive project that mixes story and code up and running is challenging. Often the work represents something that is new and can be difficult to explain. The learning curve for potential funders and prospective audiences can be steep. Not to mention the design, production and exhibition can be costly. As the interest in experiential work is on the rise there is an opportunity to discuss and examine ethical and sustainable funding models for storytellers who are pushing at the edges of new narrative forms and functions. At the same time, an ever-shifting digital landscape makes it difficult for the work to live beyond a limited run and/or to be archived.

The following episode of Columbia DSL's Sandbox was recorded live at the Film Society of Lincoln Center. The topic of discussion "Exploring Curation, Funding & Exhibition Models for Immersive Storytelling" Our guests for the evening where Regina Harsanyi (Wallplay) and Neil Carty (The Carty Group), Jae Lee & Yvonne Nai-wen Chang (Wildrence). Co-hosted by Columbia DSL's Lance Weiler & Nick Fortugno.

  continue reading

6 episodes

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