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Brian Valente-Quinn on Senegalese Stagecraft: Decolonizing Theatre-Making in Francophone Africa

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Content provided by John E. Drabinski, Journal of French, and Francophone Philosophy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by John E. Drabinski, Journal of French, and Francophone Philosophy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This discussion is with Dr. Brian Valente-Quinn, he is an associate professor of Francophone African Studies at the University of Colorado Boulder. His research focuses on the histories and politics of theatrical performance in West Africa, and especially the stage’s interplay with questions of decoloniality, Pan-Africanism, popular culture, and forms of activist performance. In this discussion we discuss his book, Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa, where he employs an interdisciplinary approach to explore the reworkings and innovations of stage spaces and performance practices in Senegal from the colonial era to the present day.

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78 episodes

Artwork
iconShare
 
Manage episode 346119873 series 3333481
Content provided by John E. Drabinski, Journal of French, and Francophone Philosophy. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by John E. Drabinski, Journal of French, and Francophone Philosophy or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

This discussion is with Dr. Brian Valente-Quinn, he is an associate professor of Francophone African Studies at the University of Colorado Boulder. His research focuses on the histories and politics of theatrical performance in West Africa, and especially the stage’s interplay with questions of decoloniality, Pan-Africanism, popular culture, and forms of activist performance. In this discussion we discuss his book, Senegalese Stagecraft: Decolonizing Theater-Making in Francophone Africa, where he employs an interdisciplinary approach to explore the reworkings and innovations of stage spaces and performance practices in Senegal from the colonial era to the present day.

  continue reading

78 episodes

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