In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Barb Wire (1996)
Manage episode 323489759 series 2360482
Content provided by Disaster Artists. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Disaster Artists or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week we look at a film that most of you probably haven’t seen, and if you haven’t watched the Disney+ limited series “Pam and Tommy” may have never even heard of.
Barb Wire is a 1996 American superhero film based on the Dark Horse comic book of the same name. The film is a loose remake of Casablanca and stars Pamela Anderson in the titular role as a nightclub owner who moonlights as a mercenary in one of the last free zones in the now fascist United States. When scientist Cora Devonshire (Victoria Rowell) wanders into Barb’s establishment, she gets roped into a top-secret government plot involving biological weapons.
Barb Wire was panned by critics and failed at the box office, but reactions probably had more to do with the media pile-on Anderson was facing at the time because of her leaked sex tape with husband Tommy Lee rather than the quality of this completely average but enjoyable action movie.
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Hosted on Acast. See acast.com/privacy for more information.
109 episodes
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Manage episode 323489759 series 2360482
Content provided by Disaster Artists. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Disaster Artists or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
This week we look at a film that most of you probably haven’t seen, and if you haven’t watched the Disney+ limited series “Pam and Tommy” may have never even heard of.
Barb Wire is a 1996 American superhero film based on the Dark Horse comic book of the same name. The film is a loose remake of Casablanca and stars Pamela Anderson in the titular role as a nightclub owner who moonlights as a mercenary in one of the last free zones in the now fascist United States. When scientist Cora Devonshire (Victoria Rowell) wanders into Barb’s establishment, she gets roped into a top-secret government plot involving biological weapons.
Barb Wire was panned by critics and failed at the box office, but reactions probably had more to do with the media pile-on Anderson was facing at the time because of her leaked sex tape with husband Tommy Lee rather than the quality of this completely average but enjoyable action movie.
SUBSCRIBE TO OUR NEWSLETTER: https://www.getrevue.co/profile/disasterartists
Join our Patreon for Exclusive Content: https://www.patreon.com./DisasterArtists
Find us at all these other places: https://linktr.ee/DisasterArtists
Hosted on Acast. See acast.com/privacy for more information.
109 episodes
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Similar to Disaster Artists: The Movie Survival Podcast
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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…
continue reading
Watch what you want, where you want, when you want on whatever device you please. Take control of your TV, Movies and more. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
En gång i veckan ägnar de en timme åt varandra, i ett samtal som ingen jävel får störa. Kan de inte bara få göra det? Låt dem hålla på! Det är NYTTIGT för dem.
…
continue reading
If you're like Matt Gourley (Superego, Drunk History, Conan O'Brien Needs A Friend), then you know all the classic movie and television scenes so well it's like you were in the room when they happened. Well, you weren't. And neither was he. But the people Matt interviews were! Listen in as they tell the inside stories of how cinema and television history was made from a fly-on-the-wall perspective you've never heard. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Matt Gourley and Matt Mira love James Bond so much they decided to make a podcast about it. Each episode they invite a guest to dive deep into one movie from the greatest film franchise known to man. The entire James Bonding catalogue is now being re-released for free, one week at a time, starting 10/5/22. We never left. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
We're currently covering Dark Matter on Apple TV+. Bald Move Pulp is where you can get your fix of robots, aliens, action space adventures, and everything in between; on television or on the big screen. Pulp was not made for serious drama, if that’s your thing, you might be looking for Bald Move Prestige.
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Our fifth season is Decoding John Ford, a seven-episode series about cinema's most mysterious auteur. Using scores of never-before-heard archival interviews, host Ben Mankiewicz strips back John Ford's self-spun mythology to reveal his brilliance behind the camera – alongside the often ugly, uncomfortable truths about his life and movies, asking whether we can ever truly separate art from the artist. Decoding John Ford starts June 6.
…
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Eli Bosnick, Heath Enwright, and Noah Lugeons team up for a weekly attempt to prove that if god existed, his PR couldn't possibly be this bad.
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