In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Eyes Wide Shut (1999)
Manage episode 334781097 series 3312315
Content provided by Tom Ashford, Adam Scott Glasspool, Tom Ashford, and Adam Scott Glasspool. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tom Ashford, Adam Scott Glasspool, Tom Ashford, and Adam Scott Glasspool or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
I feel the need... the need for a podcast exploring the films and career of Tom Cruise.
Welcome to Cruise Views, a podcast all about actor, producer, and global icon Tom Cruise, reviewing each of his films in order! This week your hosts Adam and Tom discuss Eyes Wide Shut (1999) directed by Stanley Kubrick and starring Tom Cruise, Nicole Kidman, Sydney Pollack, and Marie Richardson.
A Manhattan doctor (Tom Cruise) embarks on a bizarre, night-long odyssey after his wife's admission of unfulfilled longing.
Adam and Tom explore the production, release, and context of the film and how it fits into Tom Cruise's career. They also find time to play their exciting game, Two Cruise and a Lie! What will they make of the film? What is the overall "Cruiseness" rating? Find out on this episode of Cruise Views!
The next episode reviews Eyes Wide Shut and is out on Tuesday July 19th!
Come and chat to us...
Twitter: https://twitter.com/cruiseviewspod
Instagram: https://www.instagram.com/cruiseviewspod/
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Email us: cruiseviewspodcast@gmail.com
71 episodes
Share
Manage episode 334781097 series 3312315
Content provided by Tom Ashford, Adam Scott Glasspool, Tom Ashford, and Adam Scott Glasspool. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Tom Ashford, Adam Scott Glasspool, Tom Ashford, and Adam Scott Glasspool or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
I feel the need... the need for a podcast exploring the films and career of Tom Cruise.
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A Manhattan doctor (Tom Cruise) embarks on a bizarre, night-long odyssey after his wife's admission of unfulfilled longing.
Adam and Tom explore the production, release, and context of the film and how it fits into Tom Cruise's career. They also find time to play their exciting game, Two Cruise and a Lie! What will they make of the film? What is the overall "Cruiseness" rating? Find out on this episode of Cruise Views!
The next episode reviews Eyes Wide Shut and is out on Tuesday July 19th!
Come and chat to us...
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Instagram: https://www.instagram.com/cruiseviewspod/
Facebook: https://www.facebook.com/cruiseviewspod
Email us: cruiseviewspodcast@gmail.com
71 episodes
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Similar to Film Encounters of the Spielberg Kind
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
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The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
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