Behind the Curtain with Stephanie M. Neumann - Part 4
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For Good Measure, by Ensemble for These Times (E4TT)
Episode 93: Behind the Curtain with Stephanie M. Neumann (part 4)
Looking for a way to listen to diverse creators and to support equity in the arts? Tune in weekly to For Good Measure!
In this week’s episode, we continue our conversation with E4TT Audio Visual Project Specialist and For Good Measure’s co-producer and audio engineer extraordinaire Stephanie M. Neumann, in our “Behind the Curtain” mini-series. If you enjoyed today’s conversation and want to know more about Stephanie M. Neumann, check her out here: www.stephaniemneumann.com.
This podcast is made possible in part by a grant from the California Arts Council and generous donors, like you. Want to support For Good Measure and E4TT? Make a tax-deductible donation or sign up for our newsletter, and subscribe to the podcast!
Intro music: “Trifolium” by Gabriela Ortiz, performed by E4TT (Ilana Blumberg, violin; Abigail Monroe, cello; Margaret Halbig, piano), as part of “Below the Surface: Music by Women Composers,” January 29, 2022
Outro music: “Lake Turkana” by Marcus Norris, performed by E4TT (Margaret Halbig, piano), as part of “Alchemy,” October 15, 2021
Transcription courtesy of Otter.ai.
Co-Producer, Host, and E4TT co-founder: Nanette McGuinness
Co-Producer and Audio Engineer: Stephanie M. Neumann
Podcast Cover Art: Brennan Stokes
With assistance from Hannah Chen, Sam Mason, Renata Volchinskaya
Visit E4TT.org and find us on social media!
Instagram: @e4tt
Twitter: @e4ttimes
Facebook: @EnsembleforTheseTimes
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Chapters
1. Behind the Curtain with Stephanie M. Neumann - Part 4 (00:00:00)
2. Today we continue our interview with E4TT Audio Visual Project Specialist and For Good Measure co-producer and audio engineer extraordinaire, Stephanie M. Neumann (00:00:22)
3. You wrote HydroCosmic Echoes for E4TT, which we premiered in 2022 for Dark Universe/Mysterious Spaces. For that piece, can you talk about the compositional process and your inspiration for the piece? Because I remember it definitely was a fixed media with (00:00:33)
4. It's clear you like to play with sound, is that what draws you to using mixed media in your composing? And do you see advantages and disadvantages to that? (00:04:11)
5. How does your passion for music and audio connect with the video and with using gear, and in that direction? (00:08:03)
6. Can you talk about your time working for E4TT? You've worn a number of hats for us, all of which we're very grateful for. (00:09:57)
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