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Episode 44: Elem Klimov's 'Come and See' (1985)

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When? This feed was archived on May 06, 2018 01:36 (6+ y ago). Last successful fetch was on March 25, 2018 08:57 (6+ y ago)

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Manage episode 193214903 series 1586687
Content provided by Her Head in Films. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Her Head in Films or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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In this episode, I talk about Elem Klimov's monumental 1985 Soviet film, "Come and See," which follows a young man named Florya who witnesses atrocities and violence that happen in Nazi-occupied Belarus in 1943. The film is both personal and historical. Klimov himself experienced the Second World War as a child in Stalingrad. He was forever scarred by what he witnessed. Together with writer, Ales Adamovich, Klimov wrote the script for "Come and See" and based it on real-life testimonies. Over 600 villages were destroyed by the Nazis in Belarus during the Second World War. In the end, around 2 million people in Belarus lost their lives during the war. This film bears witness to their suffering and it's also a searing representation of the horror of war. Klimov resists glorifying violence. Instead, he shows us the sickening and frightening reality of what war is and what it does to human lives. While the film is graphic, it is also restrained, often only showing us things from afar, like a glimpse of a pile of dead bodies or the sounds of people burning in a building. I discuss how I think this is one of the most important films about war and atrocity ever made and how a film like this can awaken our sense of morality and truly transform the viewer. Several quotes by Klimov are taken from this three-part interview: https://www.youtube.com/watch?v=VN9_r1NEnGM I also quote from Svetlana Alexievich's "The Unwomanly Face of War" https://www.penguinrandomhouse.com/books/540744/the-unwomanly-face-of-war-by-svetlana-alexievich/9780399588723/ Listen on iTunes, Google Play, and Stitcher. Please consider making this podcast sustainable by supporting it on Patreon. For as low as $1 per month, you can unlock exclusive patron-only content: https://www.patreon.com/herheadinfilms Keep the conversation going on Facebook: https://www.facebook.com/herheadinfilms/ Follow me on Tumblr http://ekphora.tumblr.com/
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57 episodes

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Archived series ("Inactive feed" status)

When? This feed was archived on May 06, 2018 01:36 (6+ y ago). Last successful fetch was on March 25, 2018 08:57 (6+ y ago)

Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.

What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.

Manage episode 193214903 series 1586687
Content provided by Her Head in Films. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Her Head in Films or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
itunes pic
In this episode, I talk about Elem Klimov's monumental 1985 Soviet film, "Come and See," which follows a young man named Florya who witnesses atrocities and violence that happen in Nazi-occupied Belarus in 1943. The film is both personal and historical. Klimov himself experienced the Second World War as a child in Stalingrad. He was forever scarred by what he witnessed. Together with writer, Ales Adamovich, Klimov wrote the script for "Come and See" and based it on real-life testimonies. Over 600 villages were destroyed by the Nazis in Belarus during the Second World War. In the end, around 2 million people in Belarus lost their lives during the war. This film bears witness to their suffering and it's also a searing representation of the horror of war. Klimov resists glorifying violence. Instead, he shows us the sickening and frightening reality of what war is and what it does to human lives. While the film is graphic, it is also restrained, often only showing us things from afar, like a glimpse of a pile of dead bodies or the sounds of people burning in a building. I discuss how I think this is one of the most important films about war and atrocity ever made and how a film like this can awaken our sense of morality and truly transform the viewer. Several quotes by Klimov are taken from this three-part interview: https://www.youtube.com/watch?v=VN9_r1NEnGM I also quote from Svetlana Alexievich's "The Unwomanly Face of War" https://www.penguinrandomhouse.com/books/540744/the-unwomanly-face-of-war-by-svetlana-alexievich/9780399588723/ Listen on iTunes, Google Play, and Stitcher. Please consider making this podcast sustainable by supporting it on Patreon. For as low as $1 per month, you can unlock exclusive patron-only content: https://www.patreon.com/herheadinfilms Keep the conversation going on Facebook: https://www.facebook.com/herheadinfilms/ Follow me on Tumblr http://ekphora.tumblr.com/
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