In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Jane Campion's 'In the Cut' (2003)
Manage episode 295071463 series 2116249
Content provided by Caitlin. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Caitlin or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this episode, I talk about Jane Campion's 2003 film, "In the Cut." Meg Ryan plays, Frannie, an English teacher who becomes embroiled in a murder investigation after parts of a woman's body are found in her garden. She may have even seen the murder victim shortly before the crime. After the lead detective on the case interviews her, the two of them become involved in a dark, torturous relationship. "In the Cut" is a deeply erotic and feminist film that centers female sexuality and female pleasure. It also explores the dark side of desire and the complicated relationships between men and women. There are spoilers in this episode. I also talk explicitly and openly about sex.
Consider making this podcast sustainable by supporting it on Patreon.
Subscribe to the Her Head in Films Newsletter.
Follow me on Facebook, Twitter, Tumblr, and Instagram.
Original logo by Dhiyanah Hassan
Full Show Notes:
- My episode on Jane Campion's The Piano
- My episode on Lynne Ramsay's Morvern Callar
- My episode on The Double Life of Veronique
- To the Lighthouse by Virginia Woolf
- My episode on Michael Haneke's The Piano Teacher
- In the Cut book by Susanna Moore
- Out of the Past
- My episode on Singin' in the Rain
- "The Uses of the Erotic: The Erotic as Power" by Audre Lorde
- The Silence
- Black Swan
- My episode on Francois Ozon's Under the Sand
- My episode on Blue is the Warmest Color
- Blue Valentine
My Sources:
121 episodes
Share
Manage episode 295071463 series 2116249
Content provided by Caitlin. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Caitlin or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
In this episode, I talk about Jane Campion's 2003 film, "In the Cut." Meg Ryan plays, Frannie, an English teacher who becomes embroiled in a murder investigation after parts of a woman's body are found in her garden. She may have even seen the murder victim shortly before the crime. After the lead detective on the case interviews her, the two of them become involved in a dark, torturous relationship. "In the Cut" is a deeply erotic and feminist film that centers female sexuality and female pleasure. It also explores the dark side of desire and the complicated relationships between men and women. There are spoilers in this episode. I also talk explicitly and openly about sex.
Consider making this podcast sustainable by supporting it on Patreon.
Subscribe to the Her Head in Films Newsletter.
Follow me on Facebook, Twitter, Tumblr, and Instagram.
Original logo by Dhiyanah Hassan
Full Show Notes:
- My episode on Jane Campion's The Piano
- My episode on Lynne Ramsay's Morvern Callar
- My episode on The Double Life of Veronique
- To the Lighthouse by Virginia Woolf
- My episode on Michael Haneke's The Piano Teacher
- In the Cut book by Susanna Moore
- Out of the Past
- My episode on Singin' in the Rain
- "The Uses of the Erotic: The Erotic as Power" by Audre Lorde
- The Silence
- Black Swan
- My episode on Francois Ozon's Under the Sand
- My episode on Blue is the Warmest Color
- Blue Valentine
My Sources:
121 episodes
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Similar to Her Head in Films
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
…
continue reading
Every week, The Ringer's Andy Greenwald and Chris Ryan -- longtime friends and pop culture addicts -- break down the latest in TV, movies, and music.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
Discover movies you may have missed and be warned about others you should. Hosts Anderson Cowan (Loveline) and Bryan Bishop (The Adam Carolla Show) hash out their contrasting film tastes in the form of weekly Top 5 lists and recent screening reviews of both new and old titles. With numerous recommendations each episode, The Film Vault is entertainment about entertainment and as a result is a show that keeps on giving.
…
continue reading
Watch what you want, where you want, when you want on whatever device you please. Take control of your TV, Movies and more. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
The Flop House is a comedy podcast devoted to the worst in recent film. Your hosts (Elliott Kalan, Dan McCoy, and Stuart Wellington) watch a questionable film, then engage in an unscripted discussion about the movie's shortcomings and occasional delights, while never being afraid of a pointless, silly digression or two hundred.
…
continue reading
We see The Sci-Fi Christian, in all its iterations, as being about the collision between faith and nerdom. We believe that good genre fiction is about more than just entertainment. We seek to engage with the themes and philosophies behind our favorite stories, wrestling with the big ideas within speculative fiction. We’re unabashedly nerdy and unabashedly Christian. Even if your faith background differs from ours, we look forward to interacting with you at The Sci-Fi Christian!
…
continue reading
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…
continue reading
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