In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Beetlejuice (1988)
Manage episode 438103074 series 2911895
Content provided by Horror Queers and Bloody FM. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Horror Queers and Bloody FM or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
To tie into Tim Burton's new sequel, we're revisiting the 1988 classic Beetlejuice.
Trace has a funny backstory with the film, while Joe barely has a connection to it. We both agree, however, that the film is a creative triumph, with amazing characters and boundless background details that flesh out the world.
Plus: multiple queer elements, the film's obsession with suicide, the animated cartoon and the musical adaptation, and why Delia is *the* best character.
Reference: Tori Williams. "No One Sees Me: Queerness Throughout Beetlejuice." Gayly Dreadful.
Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners
> Trace: @tracedthurman
> Joe: @bstolemyremote
Be sure to support the boys on Patreon!
Theme Music: Alexander Nakarada
Learn more about your ad choices. Visit megaphone.fm/adchoices
667 episodes
Share
Manage episode 438103074 series 2911895
Content provided by Horror Queers and Bloody FM. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Horror Queers and Bloody FM or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
To tie into Tim Burton's new sequel, we're revisiting the 1988 classic Beetlejuice.
Trace has a funny backstory with the film, while Joe barely has a connection to it. We both agree, however, that the film is a creative triumph, with amazing characters and boundless background details that flesh out the world.
Plus: multiple queer elements, the film's obsession with suicide, the animated cartoon and the musical adaptation, and why Delia is *the* best character.
Reference: Tori Williams. "No One Sees Me: Queerness Throughout Beetlejuice." Gayly Dreadful.
Questions? Comments? Snark? Connect with the boys on Twitter, Instagram, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners
> Trace: @tracedthurman
> Joe: @bstolemyremote
Be sure to support the boys on Patreon!
Theme Music: Alexander Nakarada
Learn more about your ad choices. Visit megaphone.fm/adchoices
667 episodes
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Similar to Horror Queers
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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continue reading
Determining if all these so called classic films are indeed just that.
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continue reading
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