In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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S4 Ep42: Rumaan Alam, novelist
Manage episode 313922648 series 2910916
Content provided by Hattie Crisell. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Hattie Crisell or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
For the last episode of the fourth series of In Writing, Rumaan Alam joins me remotely from his house in Brooklyn, New York. Rumaan is the author of Rich and Pretty, That Kind of Mother, and most recently Leave the World Behind – a literary thriller about a family holiday that takes a sinister twist. (Leave the World Behind is set to become a Netflix movie, with Julia Roberts and Mahershala Ali reportedly in lead roles.)
Rumaan talks to me about the lengthy preparation that allows him to write a first draft fast; how his omniscient third-person narrator helped him to manage the mystery at the heart of his book; and why he thinks most modern novels are too long.
Buy Leave the World Behind and browse other books by guests of this series at https://uk.bookshop.org/shop/in-writing
Thank you to The Novelry for sponsoring this episode: https://www.thenovelry.com/
Rumaan talks to me about the lengthy preparation that allows him to write a first draft fast; how his omniscient third-person narrator helped him to manage the mystery at the heart of his book; and why he thinks most modern novels are too long.
Buy Leave the World Behind and browse other books by guests of this series at https://uk.bookshop.org/shop/in-writing
Thank you to The Novelry for sponsoring this episode: https://www.thenovelry.com/
54 episodes
Share
Manage episode 313922648 series 2910916
Content provided by Hattie Crisell. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Hattie Crisell or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
For the last episode of the fourth series of In Writing, Rumaan Alam joins me remotely from his house in Brooklyn, New York. Rumaan is the author of Rich and Pretty, That Kind of Mother, and most recently Leave the World Behind – a literary thriller about a family holiday that takes a sinister twist. (Leave the World Behind is set to become a Netflix movie, with Julia Roberts and Mahershala Ali reportedly in lead roles.)
Rumaan talks to me about the lengthy preparation that allows him to write a first draft fast; how his omniscient third-person narrator helped him to manage the mystery at the heart of his book; and why he thinks most modern novels are too long.
Buy Leave the World Behind and browse other books by guests of this series at https://uk.bookshop.org/shop/in-writing
Thank you to The Novelry for sponsoring this episode: https://www.thenovelry.com/
Rumaan talks to me about the lengthy preparation that allows him to write a first draft fast; how his omniscient third-person narrator helped him to manage the mystery at the heart of his book; and why he thinks most modern novels are too long.
Buy Leave the World Behind and browse other books by guests of this series at https://uk.bookshop.org/shop/in-writing
Thank you to The Novelry for sponsoring this episode: https://www.thenovelry.com/
54 episodes
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Similar to In Writing with Hattie Crisell
In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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