In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
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Content provided by Thylias Moss. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Thylias Moss or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
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Heat Dozens: ELEMENTS OF DAMAGE
Archived series ("Inactive feed" status)
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This feed was archived on August 01, 2022 20:34 (
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 153284050 series 1086868
Content provided by Thylias Moss. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Thylias Moss or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Part of the project to distill the soundtrack of HEAT DOZENS (a video poam available in the Limited Fork podcast) into some of its composite sonic constituents. This unit of composite sonic constituency focuses on the "Elements of Damage" isolate. The designation of "damage" for this isolate may depend in part upon the cooperation of visual damage cues, and feedback loops between the sound and the visual to reinforce a "damage" contract (which may be broken or strengthened in a number of ways, by either partner or by other arriving parties). Even if this sonic isolate retains an association with damage based upon sonic elements only, the nature of the damage may be perceived differently without the corroboration of visual damage to help define intensity and duration of damage.
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44 episodes
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Archived series ("Inactive feed" status)
When?
This feed was archived on August 01, 2022 20:34 (
Why? Inactive feed status. Our servers were unable to retrieve a valid podcast feed for a sustained period.
What now? You might be able to find a more up-to-date version using the search function. This series will no longer be checked for updates. If you believe this to be in error, please check if the publisher's feed link below is valid and contact support to request the feed be restored or if you have any other concerns about this.
Manage episode 153284050 series 1086868
Content provided by Thylias Moss. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Thylias Moss or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
Part of the project to distill the soundtrack of HEAT DOZENS (a video poam available in the Limited Fork podcast) into some of its composite sonic constituents. This unit of composite sonic constituency focuses on the "Elements of Damage" isolate. The designation of "damage" for this isolate may depend in part upon the cooperation of visual damage cues, and feedback loops between the sound and the visual to reinforce a "damage" contract (which may be broken or strengthened in a number of ways, by either partner or by other arriving parties). Even if this sonic isolate retains an association with damage based upon sonic elements only, the nature of the damage may be perceived differently without the corroboration of visual damage to help define intensity and duration of damage.
…
continue reading
44 episodes
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Similar to Limited Fork Music
In For Scores, host Jon Burlingame takes listeners on a magical journey into the world of film and television composers, revealing never-before-heard special moments behind many of today's most beloved scores. This season, you'll hear personal stories from the composers of Marvel Studios Avengers and Pixar's Toy Story films, Captain Marvel, Coco, Ralph Breaks the Internet, and so much more!
…
continue reading
Actors Kerry Shale and Lucas Hare talk to interesting people about Bob Dylan. And lots of other things. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
In a unique weekly podcast, Edith Bowman sits down with a variety of film directors, actors, producers and composers to talk about the music that inspired them and how they use music in their films, from their current release to key moments in their career. The music chosen by our guests is woven into the interview and used alongside clips from their films. https://itunes.apple.com/gb/playlist/soundtracking-with-edith-bowman-episode-132-mary-j-blige/pl.u-6mo4l9mhpzG6x https://play.spotify.co ...
…
continue reading
Rock and Roll
…
continue reading
For over 25 years Cinematic Sound Radio has been playing the very best music from film, TV and video games. We feature music from the golden age classic scores of the 30, 40 and 50s, the retro silver age scores from the 60s and 70s, all the way through to the 80s, 90s and the modern-day classics of the 21st century. When tuning in you'll hear interviews with composers, orchestrators, musicians, authors, soundtrack experts and industry insiders. We also do deeper dives into some of the best s ...
…
continue reading
Formerly the Metal Injection Livecast, a weekly skewering of pop culture and beyond from the minds of 3 rock fans. Hosted on Acast. See acast.com/privacy for more information.
…
continue reading
Barry first found music when he borrowed his sister's record collection when he was about eight and was hooked. When Caroline started it was a new beginning, and he listened to all the stations, but Caroline was his favourite by far. Later he became a singer in a band, then started doing discos when he was 18. He joined Caroline in 1977, touring the country with the Caroline Roadshow for 10 years, having great fun. Barry helped with tender trips and worked on the Ross Revenge in '84 and '85. ...
…
continue reading
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