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Spine 296: Le notti bianche

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Manage episode 207338133 series 1113290
Content provided by Lost in Criterion. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Lost in Criterion or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

We're in the middle of a trilogy of films that claim influence from Dostoevsky with the most straightforward adaptation of the lot in being the only one not loosely inspired by a half-remembered scene from The Idiot. Instead Luchino Visconti, who we last saw with the phenomenal film The Leopard last year, does a fairly faithful take on Dostoevsky's 1948 short story White Nights which turns out to be better representative of my psyche than The Idiot ever really was. My relationship to Dostoevsky's work gets meta this week and I learn some things. Hurray!

  continue reading

618 episodes

Artwork
iconShare
 
Manage episode 207338133 series 1113290
Content provided by Lost in Criterion. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Lost in Criterion or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

We're in the middle of a trilogy of films that claim influence from Dostoevsky with the most straightforward adaptation of the lot in being the only one not loosely inspired by a half-remembered scene from The Idiot. Instead Luchino Visconti, who we last saw with the phenomenal film The Leopard last year, does a fairly faithful take on Dostoevsky's 1948 short story White Nights which turns out to be better representative of my psyche than The Idiot ever really was. My relationship to Dostoevsky's work gets meta this week and I learn some things. Hurray!

  continue reading

618 episodes

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