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Spine 582: Carlos Part 1

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Manage episode 397762895 series 104330
Content provided by Lost in Criterion. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Lost in Criterion or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The only work we've seen from Olivier Assayas before is Summer Hours, part of the Criterion Collections sub-collection of getting 21st century cinema into their purview by releasing seemingly every non-US family drama produced in the first decade of the new millennium. Like all those films (Yi Yi, Secert Sunshine, etc) we enjoyed Summer Hours.

We return to Assayas in the Collection this week with a very different film, well the first of three, actually. Carlos (2010) is a sort of biopic (though with plenty of editorializing, supposition, and fictionalization) of the life of freedom fighter or terrorist Ilich Ramírez Sánchez, popularly known as Carlos the Jackal. The work is a 3-part miniseries of feature length tv films, and we'll be tackling each in its own episode, sprinkling in Criterion's ample supplements, in order to give the total 339 minute runtime of Carlos its proper due.

This week we see Carlos as a fledgling freedom fighter, aligning with the Popular Front for Palestinian Liberation and deciding that means blowing stuff up in France. Episode one (and this week's supplements) lay the foundation for what I hope does not prove to be the main thesis of the film: that Carlos is a hypocritical womanizer ultimately more interested in bourgeois comforts than in Palestinian liberation. We also cover disc 4 of the set, which contains what seems to be a good chunk of Assayas's sources: two tv documentaries on Carlos and an interview with then-on-the-run former Carlos associate Hans-Joachim Klein.

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609 episodes

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Spine 582: Carlos Part 1

Lost in Criterion

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Manage episode 397762895 series 104330
Content provided by Lost in Criterion. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by Lost in Criterion or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

The only work we've seen from Olivier Assayas before is Summer Hours, part of the Criterion Collections sub-collection of getting 21st century cinema into their purview by releasing seemingly every non-US family drama produced in the first decade of the new millennium. Like all those films (Yi Yi, Secert Sunshine, etc) we enjoyed Summer Hours.

We return to Assayas in the Collection this week with a very different film, well the first of three, actually. Carlos (2010) is a sort of biopic (though with plenty of editorializing, supposition, and fictionalization) of the life of freedom fighter or terrorist Ilich Ramírez Sánchez, popularly known as Carlos the Jackal. The work is a 3-part miniseries of feature length tv films, and we'll be tackling each in its own episode, sprinkling in Criterion's ample supplements, in order to give the total 339 minute runtime of Carlos its proper due.

This week we see Carlos as a fledgling freedom fighter, aligning with the Popular Front for Palestinian Liberation and deciding that means blowing stuff up in France. Episode one (and this week's supplements) lay the foundation for what I hope does not prove to be the main thesis of the film: that Carlos is a hypocritical womanizer ultimately more interested in bourgeois comforts than in Palestinian liberation. We also cover disc 4 of the set, which contains what seems to be a good chunk of Assayas's sources: two tv documentaries on Carlos and an interview with then-on-the-run former Carlos associate Hans-Joachim Klein.

  continue reading

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