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Manage episode 417344487 series 3395753
Content provided by My Cultura and iHeartPodcasts and My Cultura. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by My Cultura and iHeartPodcasts and My Cultura or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
“I walked out of the play.” Fresh off winning a Student Academy Award, Colombian filmmaker Patricia Cardoso was looking for her next film project. After some initial hesitation, she decided to adapt the much-beloved (but somewhat problematic) stage play Real Women Have Curves into what would become a major Sundance sensation. We sat down with Patricia to talk about the changes from stage to screen, discovering a young America Ferrera, bringing authenticity to the film, and why the doors of Hollywood stayed closed to her after this smash success.
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Manage episode 417344487 series 3395753
Content provided by My Cultura and iHeartPodcasts and My Cultura. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by My Cultura and iHeartPodcasts and My Cultura or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
“I walked out of the play.” Fresh off winning a Student Academy Award, Colombian filmmaker Patricia Cardoso was looking for her next film project. After some initial hesitation, she decided to adapt the much-beloved (but somewhat problematic) stage play Real Women Have Curves into what would become a major Sundance sensation. We sat down with Patricia to talk about the changes from stage to screen, discovering a young America Ferrera, bringing authenticity to the film, and why the doors of Hollywood stayed closed to her after this smash success.
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In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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