In the 1980s, there were only 63 Black films by, for, or about Black Americans. But in the 1990s, that number quadrupled, with 220 Black films making their way to cinema screens nationwide. What sparked this “Black New Wave?” Who blazed this path for contemporaries like Ava DuVernay, Kasi Lemmons and Jordan Peele? And how did these films transform American culture as a whole? Presenting The Class of 1989, a new limited-run series from pop culture critics Len Webb and Vincent Williams, hosts ...
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Denis Villeneuve (Dune)
MP3•Episode home
Manage episode 320151741 series 2854726
Content provided by MovieMaker Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by MovieMaker Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We had the honor of speaking with one of our greatest directors just days after his film Dune earned 10 Oscar nominations, including for Best Picture.
Our favorite part is hearing him talk about the interconnected shots in Dune, "trying to create a melody" in the story, and watching Lawrence of Arabia in an empty theater when no one else showed up.
He ends the interview with some excellent advice for anyone who wants to make films.
Here are some highlights:
on Best Director Oscar Snub (1:50)
-Creating the camera language for Dune (2:30)
-On Paul's reluctant POV (5:03)
-Framing the "Internal" (5:20)
-Working with your actors (7:15)
-Style changes throughout the years (8:30)
-Visual differences in Blade Runner 2049 and Dune (9:35)
-Cinematic Storytelling between Paul and Lady Jessica (11:00)
-Talking about subtle juxtapositions in images (12:43)
-We geek out about seeing Lawrence of Arabia alone (15:30)
-Advice to moviemakers (17:46)
Hosted on Acast. See acast.com/privacy for more information.
172 episodes
MP3•Episode home
Manage episode 320151741 series 2854726
Content provided by MovieMaker Magazine. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by MovieMaker Magazine or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.
We had the honor of speaking with one of our greatest directors just days after his film Dune earned 10 Oscar nominations, including for Best Picture.
Our favorite part is hearing him talk about the interconnected shots in Dune, "trying to create a melody" in the story, and watching Lawrence of Arabia in an empty theater when no one else showed up.
He ends the interview with some excellent advice for anyone who wants to make films.
Here are some highlights:
on Best Director Oscar Snub (1:50)
-Creating the camera language for Dune (2:30)
-On Paul's reluctant POV (5:03)
-Framing the "Internal" (5:20)
-Working with your actors (7:15)
-Style changes throughout the years (8:30)
-Visual differences in Blade Runner 2049 and Dune (9:35)
-Cinematic Storytelling between Paul and Lady Jessica (11:00)
-Talking about subtle juxtapositions in images (12:43)
-We geek out about seeing Lawrence of Arabia alone (15:30)
-Advice to moviemakers (17:46)
Hosted on Acast. See acast.com/privacy for more information.
172 episodes
All episodes
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