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Not Prophecy but Inversion: Omar El Akkad and Min Hyoung Song

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Content provided by New Books Network and New Books. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Books Network and New Books or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Omar El Akkad joins critic Min Hyoung Song for a gripping conversation that interrogates fiction’s relationship to the real. Before he became a novelist, Omar was a journalist, and his experiencing reporting on (among other subjects) the war on terror, the Arab Spring, and the Black Lives Matter movement profoundly shapes his fiction. His first novel, American War (Vintage, 2018), follows the protagonist’s radicalization against the backdrop of afossil fuel-motivated civil war. His second, What Strange Paradise (Vintage, 2022), is a haunting retelling of Peter Pan focused on a young Syrian refugee. But as Omar and Min’s dialogue reveals, literary criticism doesn’t always get the politics of political fiction right. Their conversation moves from the preoccupation with “literal prophecy” which plagues the reception of speculative fiction in general and climate fiction in particular to the multifaceted appeal of the fantastical in writing migration stories. They discuss Omar’s interest not in extrapolation, but in inversion. And they take up the imaginative challenges posed by climate change: the way it fails to fit zero-sum colonial ideologies; the way it relies upon the continued development of “the muscle of forgetting, the muscle of looking away.” Finally, Omar’s answer to the signature question is a case study in the inversion that characterizes his work: Little Women readers, prepare yourselves!

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Manage episode 419933528 series 2472510
Content provided by New Books Network and New Books. All podcast content including episodes, graphics, and podcast descriptions are uploaded and provided directly by New Books Network and New Books or their podcast platform partner. If you believe someone is using your copyrighted work without your permission, you can follow the process outlined here https://player.fm/legal.

Omar El Akkad joins critic Min Hyoung Song for a gripping conversation that interrogates fiction’s relationship to the real. Before he became a novelist, Omar was a journalist, and his experiencing reporting on (among other subjects) the war on terror, the Arab Spring, and the Black Lives Matter movement profoundly shapes his fiction. His first novel, American War (Vintage, 2018), follows the protagonist’s radicalization against the backdrop of afossil fuel-motivated civil war. His second, What Strange Paradise (Vintage, 2022), is a haunting retelling of Peter Pan focused on a young Syrian refugee. But as Omar and Min’s dialogue reveals, literary criticism doesn’t always get the politics of political fiction right. Their conversation moves from the preoccupation with “literal prophecy” which plagues the reception of speculative fiction in general and climate fiction in particular to the multifaceted appeal of the fantastical in writing migration stories. They discuss Omar’s interest not in extrapolation, but in inversion. And they take up the imaginative challenges posed by climate change: the way it fails to fit zero-sum colonial ideologies; the way it relies upon the continued development of “the muscle of forgetting, the muscle of looking away.” Finally, Omar’s answer to the signature question is a case study in the inversion that characterizes his work: Little Women readers, prepare yourselves!

Mentioned in This Episode

Learn more about your ad choices. Visit megaphone.fm/adchoices

Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

  continue reading

5780 episodes

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